Harvey Dinnerstein and Burton Silverman, together with: John Leech; 20th Century School; and After
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Description
Harvey Dinnerstein
American, 1928-2022
(i) Straphanger
Signed with initial D (lr)
Crayon on paper
Sight 7 1/8 x 3 3/8 inches (18.1 x 8.6 cm)
Provenance:
Davis Galleries, New York
(ii) I stopped riding the buses because they didn't have anything I wanted, 1956
Signed with initial D (lr)
Charcoal on paper
Sight 10 7/8 x 4 7/8 inches (27.6 x 12.4 cm)
Provenance:
Davis Galleries, New York, 1956
Exhibited:
New York, Davis Gallery, The Artist as Reporter: A Series of Drawings Executed in Montgomery, Alabama, by Harvey Dinnerstein and Burt Silverman, September 28 - October 20, 1956
Burton Silverman
American, b. 1928
(i) I been crying on the battlefield a long time, 1956
Signed B. Silverman (lr) and inscribed leanin' on the everlastin' arm (ur)
Pencil on paper
14 x 8 1/2 inches (35.6 x 21.6 cm)
Provenance:
Davis Galleries, New York
Exhibited:
New York, Davis Gallery, The Artist as Reporter: A Series of Drawings Executed in Montgomery, Alabama, by Harvey Dinnerstein and Burt Silverman, September 28 - October 20, 1956
John Leech
British, 1817-1864
Hunting Scene
Pencil on paper
Sight 4 1/4 x 6 3/4 inches (10.8 x 17.1 cm)
20th Century School
The Sands at Sunset
Inscribed as titled along the lower edge
Pencil and crayon on paper
5 3/8 x 8 inches (13.7 x 20.3 cm)
Together with:
After Albert Marquet
La mere de l'artiste brodant
Lithograph on paper, from an edition of approximately 20
Image 6 5/8 x 6 7/8 inches (16.8 x 17.5 cm)
Sheet 12 1/4 x 9 1/4 inches (31.1 x 23.5 cm)
Provenance:
Hughette Beres, Paris, France (label)
C Property from the Collection of Helen Sonnenberg Tucker
American, 1928-2022
(i) Straphanger
Signed with initial D (lr)
Crayon on paper
Sight 7 1/8 x 3 3/8 inches (18.1 x 8.6 cm)
Provenance:
Davis Galleries, New York
(ii) I stopped riding the buses because they didn't have anything I wanted, 1956
Signed with initial D (lr)
Charcoal on paper
Sight 10 7/8 x 4 7/8 inches (27.6 x 12.4 cm)
Provenance:
Davis Galleries, New York, 1956
Exhibited:
New York, Davis Gallery, The Artist as Reporter: A Series of Drawings Executed in Montgomery, Alabama, by Harvey Dinnerstein and Burt Silverman, September 28 - October 20, 1956
Burton Silverman
American, b. 1928
(i) I been crying on the battlefield a long time, 1956
Signed B. Silverman (lr) and inscribed leanin' on the everlastin' arm (ur)
Pencil on paper
14 x 8 1/2 inches (35.6 x 21.6 cm)
Provenance:
Davis Galleries, New York
Exhibited:
New York, Davis Gallery, The Artist as Reporter: A Series of Drawings Executed in Montgomery, Alabama, by Harvey Dinnerstein and Burt Silverman, September 28 - October 20, 1956
John Leech
British, 1817-1864
Hunting Scene
Pencil on paper
Sight 4 1/4 x 6 3/4 inches (10.8 x 17.1 cm)
20th Century School
The Sands at Sunset
Inscribed as titled along the lower edge
Pencil and crayon on paper
5 3/8 x 8 inches (13.7 x 20.3 cm)
Together with:
After Albert Marquet
La mere de l'artiste brodant
Lithograph on paper, from an edition of approximately 20
Image 6 5/8 x 6 7/8 inches (16.8 x 17.5 cm)
Sheet 12 1/4 x 9 1/4 inches (31.1 x 23.5 cm)
Provenance:
Hughette Beres, Paris, France (label)
C Property from the Collection of Helen Sonnenberg Tucker
Condition
Dinnerstein:
(i) Not examined out of frame. Light toning throughout.
(ii) Not examined out of frame. Light toning throughout, some areas of staining.
Silverman:
The sheet is hinged to its underlying support in two places on the upper edge verso. Toning. Some light handling creases. Few spots of pinpoint foxing and staining.
Affixed to the frame backing is a note dedicated to Mr. Sonnenberg, inscribed: Thank you for all the help and encouragement you have given us on this exhibition / Harvey Dinnerstein / Burt Silverman.
Leech:
Not examined out of frame. Toning, staining, and handling creases throughout.
20th Century School:
The sheet is hinged in two places to the overmount on the upper edge verso. Toning and mat burn. Handling creases. Abraded surface in the upper left corner. Areas of staining. including ink staining, throughout.
After Marquet:
The sheet is hinged in two places to the overmount along the upper edge verso. Toning, light mat burn, mat staining to margins, and light handling wear. Few minor pinpoint spots of foxing.
Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
(i) Not examined out of frame. Light toning throughout.
(ii) Not examined out of frame. Light toning throughout, some areas of staining.
Silverman:
The sheet is hinged to its underlying support in two places on the upper edge verso. Toning. Some light handling creases. Few spots of pinpoint foxing and staining.
Affixed to the frame backing is a note dedicated to Mr. Sonnenberg, inscribed: Thank you for all the help and encouragement you have given us on this exhibition / Harvey Dinnerstein / Burt Silverman.
Leech:
Not examined out of frame. Toning, staining, and handling creases throughout.
20th Century School:
The sheet is hinged in two places to the overmount on the upper edge verso. Toning and mat burn. Handling creases. Abraded surface in the upper left corner. Areas of staining. including ink staining, throughout.
After Marquet:
The sheet is hinged in two places to the overmount along the upper edge verso. Toning, light mat burn, mat staining to margins, and light handling wear. Few minor pinpoint spots of foxing.
Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and Doyle New York shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
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Harvey Dinnerstein and Burton Silverman, together with: John Leech; 20th Century School; and After
Estimate $300 - $500
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Cataloguer, American Furniture & Decorative Arts
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