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№Verne 361
*** ABOUT THIS PAINTING ***
* TITLE: "Portrait of a man"
* ARTISTS: Pavlov Victor
* SIZE: 92x67 cm/'36.22x26.37 inches'
* MEDIUM: oil, cardboard
* HAND PAINTED: Original painting from our collection
* CONDITION: we tried to convey the maximum information with the help of photos about this product
About the artist: Viktor Pavlov was born in Odessa in 1947. He did not adopt the profession of an artist (especially a philosopher) from his parents: his father was an engineer, his mother was a doctor. In 1965, at the age of 18, Vitya Pavlov entered the Odessa Art College, from which he graduated in 1971, out of time. But then it was difficult to surprise with this - academic training was not always combined with freethinking. Fortunately, dissidents were given the opportunity to complete their education at least a year later. Peering from 2010 to the early seventies, you understand how many temptations the young artist had. Indeed, in addition to official exhibitions, and they showed their work Y. Egorov and A. Atsmanchuk, V. Vlasov and K. Lomykin, there were "apartment" exhibitions, where the whole spectrum of "nonconformism" was presented. And in the 70s, at the “apartment” exhibition of the artist Viktor Risovich, I first saw the work of V. Pavlov. I think that for him it was one of the first meetings with the audience. Already in those years, the vector of the artist's passions was determined. He was attracted by the free, improvisational manner of Valentin Khrushch. The Museum of Modern Art in Odessa gives us the opportunity to see one of the works of that young Vitya Pavlov. This is a small cardboard (almost all of them wrote on cardboard in those years) - “Lying”. The expressiveness of plasticity, I would say, is the formula of a woman. The color scheme refers this small but "strong" work to the experiments of V. Khrushch. And once again they make you think how many Odessa masters turned out to be under the magic of the talent of Valik Khrushch. Not only in Odessa, then on Slobodka, then on Chizhikov, Viktor Pavlov sat at Khrushchev's. When Khrushchik left for Moscow, Pavlov also reached out for him, lived in his basement workshop, and worked there. Already now, from memory, he painted a watercolor “The Moscow basement of V. Khrushch. 1987”, where, again, not only in plot, but also in composition, color, it seems to return from 2009 to youth, to their joint life, to joint exhibitions in the Belyaevo 100 gallery. Many artists, I would say, fascinated by Khrushch, have not been able to get out of this state to this day. Artists - good and different - Pliss, Lisovsky, Khokhlenko. But Viktor Pavlov (I emphasize the name all the time so as not to be confused with the painter of the "Odessa school" Eduard Pavlov) decisively changed the style and semantic symbolism of his paintings. It can be assumed that the impetus was a serious study of philosophy. He put aside his brush for almost years and wrote treatises, including The Philosophy of Painting, studied ancient thinkers. And when he approached the canvas again, he tried to comprehend the Greek myths, connecting them with the fundamental principles of life. In the summer of 1993, at the Odessa Museum of Western and Oriental Art, Oleg Sokolov persuaded the authorities to open an exhibition of watercolors by Viktor Pavlov. I remember how in the “Greek Hall”, on the ground floor, where there were casts of antique sculptures, Victor showed his “Melodies of Earth and Sky”. And here, for the first time, I formulated his system for myself - chimeras, chimerical worlds, the macrocosm of our earthly life. The collection of the Odessa Museum of Modern Art makes it possible to peer into this facet (I think, the main one) of the artist. This, for example, is the painting “Separation of Light from Darkness” of 1990 – a monumental canvas (how not to recall the fresco by Michelangelo in the Sistine Chapel), where the biblical story captivates with its drama.
Additional Information: Framing option availabe at extra cost. Feel free to inquire.
Reserve: $3,800.00
Shipping: Domestic: Flat-rate of $48.00 to anywhere within the contiguous U.S. International: Flat-rate of $58.00 to anywhere in the world. International shipping may be subject to VAT. Combined shipping: Please ask about combined shipping for multiple lots before bidding. Location: This item ships from Ukraine.
Your purchase is protected:
Photos, descriptions, and estimates were prepared with the utmost care by a fully certified expert and appraiser. All items in this sale are guaranteed authentic.
In the rare event that the item did not conform to the lot description in the sale, Jasper52 specialists are here to help. Buyers may return the item for a full refund provided you notify Jasper52 within 5 days of receiving the item.
*** ABOUT THIS PAINTING ***
* TITLE: "Portrait of a man"
* ARTISTS: Pavlov Victor
* SIZE: 92x67 cm/'36.22x26.37 inches'
* MEDIUM: oil, cardboard
* HAND PAINTED: Original painting from our collection
* CONDITION: we tried to convey the maximum information with the help of photos about this product
About the artist: Viktor Pavlov was born in Odessa in 1947. He did not adopt the profession of an artist (especially a philosopher) from his parents: his father was an engineer, his mother was a doctor. In 1965, at the age of 18, Vitya Pavlov entered the Odessa Art College, from which he graduated in 1971, out of time. But then it was difficult to surprise with this - academic training was not always combined with freethinking. Fortunately, dissidents were given the opportunity to complete their education at least a year later. Peering from 2010 to the early seventies, you understand how many temptations the young artist had. Indeed, in addition to official exhibitions, and they showed their work Y. Egorov and A. Atsmanchuk, V. Vlasov and K. Lomykin, there were "apartment" exhibitions, where the whole spectrum of "nonconformism" was presented. And in the 70s, at the “apartment” exhibition of the artist Viktor Risovich, I first saw the work of V. Pavlov. I think that for him it was one of the first meetings with the audience. Already in those years, the vector of the artist's passions was determined. He was attracted by the free, improvisational manner of Valentin Khrushch. The Museum of Modern Art in Odessa gives us the opportunity to see one of the works of that young Vitya Pavlov. This is a small cardboard (almost all of them wrote on cardboard in those years) - “Lying”. The expressiveness of plasticity, I would say, is the formula of a woman. The color scheme refers this small but "strong" work to the experiments of V. Khrushch. And once again they make you think how many Odessa masters turned out to be under the magic of the talent of Valik Khrushch. Not only in Odessa, then on Slobodka, then on Chizhikov, Viktor Pavlov sat at Khrushchev's. When Khrushchik left for Moscow, Pavlov also reached out for him, lived in his basement workshop, and worked there. Already now, from memory, he painted a watercolor “The Moscow basement of V. Khrushch. 1987”, where, again, not only in plot, but also in composition, color, it seems to return from 2009 to youth, to their joint life, to joint exhibitions in the Belyaevo 100 gallery. Many artists, I would say, fascinated by Khrushch, have not been able to get out of this state to this day. Artists - good and different - Pliss, Lisovsky, Khokhlenko. But Viktor Pavlov (I emphasize the name all the time so as not to be confused with the painter of the "Odessa school" Eduard Pavlov) decisively changed the style and semantic symbolism of his paintings. It can be assumed that the impetus was a serious study of philosophy. He put aside his brush for almost years and wrote treatises, including The Philosophy of Painting, studied ancient thinkers. And when he approached the canvas again, he tried to comprehend the Greek myths, connecting them with the fundamental principles of life. In the summer of 1993, at the Odessa Museum of Western and Oriental Art, Oleg Sokolov persuaded the authorities to open an exhibition of watercolors by Viktor Pavlov. I remember how in the “Greek Hall”, on the ground floor, where there were casts of antique sculptures, Victor showed his “Melodies of Earth and Sky”. And here, for the first time, I formulated his system for myself - chimeras, chimerical worlds, the macrocosm of our earthly life. The collection of the Odessa Museum of Modern Art makes it possible to peer into this facet (I think, the main one) of the artist. This, for example, is the painting “Separation of Light from Darkness” of 1990 – a monumental canvas (how not to recall the fresco by Michelangelo in the Sistine Chapel), where the biblical story captivates with its drama.
Reserve: $3,800.00
Shipping:
Your purchase is protected:
Photos, descriptions, and estimates were prepared with the utmost care by a fully certified expert and appraiser. All items in this sale are guaranteed authentic.
In the rare event that the item did not conform to the lot description in the sale, Jasper52 specialists are here to help. Buyers may return the item for a full refund provided you notify Jasper52 within 5 days of receiving the item.
Buyer's Premium
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Oil painting Portrait of a man Pavlov Victor
$3,800.00
$19,000
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Item located in Ukraine$48 shipping in the US
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