FRANZISKA ZACH (Losenstein 1900 - 1930 Paris)
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FRANZISKA ZACH (Losenstein 1900 - 1930 Paris)
Playing boy
woodcut/paper, 16,4 x 16 cm
estate stamp Zach
provenance: family of the artist, collection Chrastek
ESTIMATE °€ 150 - 250
STARTING PRICE °€ 150
Franziska Zach attended the College for the Textile Industry/Fachschule fuer Textilindustrie in Vienna. After that, she received her artistic education at the School of Applied Art/Kunstgewerbeschulefrom 1917 to 1924 from Oskar Strnad, Alfred Boehm, Alfred Roller, Erich Mallina, Wilhelm Mueller-Hofmann, and Adele Stark and in 1923/24 from Josef Hoffmann at the workshop for enamel painting. She acquired her own furnace and produced enamel vessels and later mostly enamel pictures. In 1926, she was commissioned to decorate a little chapel near Heiligenblut with frescoes. The women artists' association "Wiener Frauenkunst" accepted her as a member. She regularly participated in the exhibitions of "Wiener Frauenkunst", some of which were held in the space of the Hagenbund. In 1929, she exhibited at the Hagenbund on a guest ticket. For her works created in Paris she received the Prize of the City of Vienna/Preis der Stadt Wien in the summer of 1930. The Hagenbund co-opted her as a member while she was already considered a great new hope among young artists. In 1927, she stayed in southern France, and in 1928 she travelled to England, invited by friends. There, she made the acquaintance of a lady who became her patron. This enabled her to spend some time in Ireland and, starting in 1930, to afford a studio in Paris. Immediately before her first one-person show in Fance, she died of a gastric disease. The art world largely forgot about her, until she was duely rediscovered in connection with the great Hagenbund exhibition of the Austrian Gallery/to the high quality of the artist's work, are known to exist. Literature: Sabine Plakolm-Forsthuber: Kuenstlerinnen in OEsterreich 1897 - 1938, Vienna 1994; exhibition catalogue, Blickwechsel und Einblick. Sonderausstellung des Historischen Museums der Stadt Wien, Vienna 1999; exhibition catalogue, Die verlorene Moderne. Der Kuenstlerbund Hagen 1900-1938, Ausstellung der OEsterreichischen Galerie im Schloß Halbturn, Vienna 1993; exhibition catalogue, Enthuellt. Ein Jahrhundert Akte OEsterreichischer Kuenstlerinnen; Frauenbad Baden und Galerie im Stadthaus Klagenfurt, Klagenfurt 1998
PLEASE NOTE:
The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Playing boy
woodcut/paper, 16,4 x 16 cm
estate stamp Zach
provenance: family of the artist, collection Chrastek
ESTIMATE °€ 150 - 250
STARTING PRICE °€ 150
Franziska Zach attended the College for the Textile Industry/Fachschule fuer Textilindustrie in Vienna. After that, she received her artistic education at the School of Applied Art/Kunstgewerbeschulefrom 1917 to 1924 from Oskar Strnad, Alfred Boehm, Alfred Roller, Erich Mallina, Wilhelm Mueller-Hofmann, and Adele Stark and in 1923/24 from Josef Hoffmann at the workshop for enamel painting. She acquired her own furnace and produced enamel vessels and later mostly enamel pictures. In 1926, she was commissioned to decorate a little chapel near Heiligenblut with frescoes. The women artists' association "Wiener Frauenkunst" accepted her as a member. She regularly participated in the exhibitions of "Wiener Frauenkunst", some of which were held in the space of the Hagenbund. In 1929, she exhibited at the Hagenbund on a guest ticket. For her works created in Paris she received the Prize of the City of Vienna/Preis der Stadt Wien in the summer of 1930. The Hagenbund co-opted her as a member while she was already considered a great new hope among young artists. In 1927, she stayed in southern France, and in 1928 she travelled to England, invited by friends. There, she made the acquaintance of a lady who became her patron. This enabled her to spend some time in Ireland and, starting in 1930, to afford a studio in Paris. Immediately before her first one-person show in Fance, she died of a gastric disease. The art world largely forgot about her, until she was duely rediscovered in connection with the great Hagenbund exhibition of the Austrian Gallery/to the high quality of the artist's work, are known to exist. Literature: Sabine Plakolm-Forsthuber: Kuenstlerinnen in OEsterreich 1897 - 1938, Vienna 1994; exhibition catalogue, Blickwechsel und Einblick. Sonderausstellung des Historischen Museums der Stadt Wien, Vienna 1999; exhibition catalogue, Die verlorene Moderne. Der Kuenstlerbund Hagen 1900-1938, Ausstellung der OEsterreichischen Galerie im Schloß Halbturn, Vienna 1993; exhibition catalogue, Enthuellt. Ein Jahrhundert Akte OEsterreichischer Kuenstlerinnen; Frauenbad Baden und Galerie im Stadthaus Klagenfurt, Klagenfurt 1998
PLEASE NOTE:
The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.
Buyer's Premium
- 24%
FRANZISKA ZACH (Losenstein 1900 - 1930 Paris)
Estimate €150 - €250
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