Art et artisanat africains d'aujourd'hui

267 Art et artisanat africains d'aujourd'hui Newman, Thelma R. Paris: Éditions de la Courtille (1976) ISBN: 2.7207.0046.0. French text 262 pages Illustrations Hardcover with dust jacket 29 cm 1440 gr

BOOKS: (10) Vols Ikebana w/color 1930s-60s, 10 volumes on Ikebana and Japanese flower arrangements: 1) Donald Richie. L'Art des Fleurs au Japon Hier et Aujourd'hui. Bibliotheque des Arts, Paris. 1967.

131 Tradition en transition Tradition en transition La mère et l'enfant dans la sculpture africaine - hier et aujourd'hui Tradition in Transition Mother and Child in African Sculpture - Past and Pres

Six art / reference books on Cuba, including "Cuba d'hier et d'aujourd'hui" Co & Bear Productions Ltd, 1998, "Cuban Elegance," Henry N. Abrams Publishers, 2004, "Cuba," Benedikt Taschen Verlag GmbH, 1

Hier - Aujourd'hui - Demain. Regards sur les collections et sur les activités du Musée Barbier-Mueller 1977 - 1987 Hard bound. Dust jacket. Original slip case. 161 pages, fully illustrated in color.

Medium: pochoir (after the watercolor). Published in Paris in 1929 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image

Art et artisanat Tsogho Musée des arts et traditions du Gabon Paris: Orstom (1975). ISBN: 2-7099-0363-6 Gollnhofer, Otto Sallée, Pierre Sillans, Roger French text 126 pages Numerous illustrations So

Malta Vertot d'Aubeuf, René Aubert de Histoire des chevaliers hospitaliers de S. Jean de Jerusalem, appellés depuis chevaliers de Rhodes, et aujourd'hui chevalliers de Malthe. Nouvelle Editi

Henri Matisse. Femme en robe brune. pochoir. 1924. 7 x 5 inches. Albert Morance. Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now

L'Art D'Aujourd'hui #5. DeLuxe Edition with an original eau-forte signed and numbered in pencil by Dufy. Peintures dessins Estampes Sculptures de notre temps. Spring 1925. Dufy, Orloff, Masereel, Alla

Editions "Art D'Aujourd'hui", Boulogne 1952. Small square 4to. 295+(2) pages. Extensively illustrated with photographs in b/w and 30 original litographs on plates, hereof the majority (29) in colour.

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image

Medium: silkscreen (after the painting). Printed in Paris at the studio of Arcay and published in 1953 by Editions d'Art d'Aujourd'hui, of Boulogne (Andre Bloc was the founder and editor of this revue

L'Art D'Aujourd'hui 1924 with an original etching signed and numbered in pencil by Andre Dunoyer de Segonzac. Peintures dessins Estampes Sculptures de notre temps. Autumn / Winter 1924. Utrillo, Laure

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morancé for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the

Medium: silkscreen / serigraph (after the painting). Printed in Paris at the studio of Arcay and published in 1953 by Editions d'Art d'Aujourd'hui, of Boulogne. Sheet size: 12 x 9 1/4 inches (305 x 23

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: pochoir (after the watercolor). Published in Paris in 1924 by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription is printed beneath the image

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee