Attributed to Hsiao Chin no coa, private collection, medium: oil, measurements: 30"WX36"H framed, mint condition Biography: Hsiao Chin is renowned for his vivid paintings of geometric forms in minimalist compositions. A cofounder of Ton-Fan Art Group—one of the first Chinese artist collectives dedicated to abstract art. Hsiao Chin was born in Shanghai in 1935 and is celebrated as a pioneer of modern abstract art. He is widely recognised in both Eastern and Western art scenes for his major contribution to the development of Chinese modern abstract art. His works can be found in major collections around the world including Metropolitan Museum of Art (New York), M+ Museum (Hong Kong), Musée Guimet (Paris), National Galerie (Rome), Long Museum (Shanghai), Song Museum (Beijing) and MGM Chairman’s Collection (Macau). Hsiao Chin drew artistic nourishment from his study of traditional Chinese culture and Eastern philosophies and in the 1950s, started to explore abstract art based on his core concept of ‘Eastern Spirit’: the quest for Eastern spirituality and modern artistic expression. In 1955, with a group of artists who shared his aesthetic vision, Hsiao Chin co-founded the Ton Fan Art Group, the first post-war Chinese modern art group, which blended techniques from traditional Eastern art with Western modernism, while promoting Chinese modern art overseas. In 1956, Hsiao embarked on a series of travels in America and Europe, moving first to Madrid and finally settling in Milan, where he lived for over half a century. Like his senior masters Lin Fengmian and Zao Wou-ki who travelled to France, Hsiao Chin was greatly motivated by Western art during his time in Europe, but developed an interest in Zen and Taoism – in particular the ideas of Lao Tzu and Chuang Tzu – around the 1960s. Drawing artistic nourishment from these studies of traditional Chinese culture and Eastern philosophies, he was capable of understanding and capturing the complex dialects between the void and the solid, strength and weakness. Freely transforming them into his abstract visual language, Hsiao showed great ambition to develop his own style of abstract painting that emphasised the dichotomous nature of the world, and which would be at once distinguishable from, yet reflective of, Western abstract art at that time. In 1961, Hsiao Chin co-founded the Punto International Art Movement, the first ever international avant-garde art movement initiated by an Asian artist with the aim of promoting Eastern philosophy of ‘calm contemplation’. Whilst living and working in Europe for nearly 60 years, Hsiao Chin strove to integrate his Eastern philosophical thought with his extensive studies of Western aesthetics and his fascination in space science.