Ink on paper, hanging scroll, featuring Chinese character calligraphy in semi-cursive script, signed He Xiangning (Chinese, 1878-1972), inscribed with 1 artist seal, 118 x 33 cm. He Xiangning was a Chinese revolutionary, feminist, politician, painter, and poet. Together with her husband Liao Zhongkai, she was one of the earliest members of Sun Yat-sen's revolutionary movement Tongmenghui. As Minister for Women's Affairs in Sun's Nationalist government in Guangzhou (Canton), she advocated equal rights for women and organized China's first rally for International Women's Day in 1924. After her husband's assassination in 1925 and Chiang Kai-shek's persecution of the Communists in 1927, she stayed away from party politics for two decades, but actively worked to organize resistance against the Japanese invasion of China. In 1948, she cofounded the Revolutionary Committee of the Chinese Kuomintang. She served in many high-ranking positions after the foundation of the People's Republic of China, including Vice Chairwoman of the CPPCC (1954–64), Vice Chairwoman of the National People's Congress (1959–72), Chairwoman of the Revolutionary Committee of the Chinese Kuomintang (1960–72), and Honorary Chairwoman of the All-China Women's Federation. He Xiangning was a renowned painter of the Lingnan School of Chinese art and served as Chairwoman of the China Artists Association in the 1960s. The National He Xiangning Art Museum was opened in Shenzhen in 1997, and her paintings have been featured on Chinese stamps. PROVENANCE: Private collection of a gentleman

All authorship of items in this catalog are described according to the following terms:

By [Artist Name] : In our opinion, the work is by the artist.

Attributed to [Artist Name] : In our opinion, the work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : In our opinion, the work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : In our opinion, the work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : In our opinion, a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: In our opinion, a work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : In our opinion, this work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

Bears signature : In our opinion, the signature on the artwork may be spurious.
Apocryphal : Of doubtful authenticity.