A. EVERDINGEN (*1621), Goat on a small bridge, 1636, Etching

Allart Van Everdingen (1621-1675) River Scene with Hut and Boats, etching on paper, matted in gilt and painted wood frame. Note to reverse regards this as being 3rd of 3 states. [Art: 4 x 5 1/8 inches

Small etching and aquatint on cream colored paper, depicting a curious young goat examining a cactus, sight 3 in. x 4 ¼ in., framed size 7 5/8 in. X 8 7/8 in., not examined out of frame, overall

‘I am the G.O.A.T.’ by Small Fry, 2020 15.75 x 11.8 Inches / 40 x 30 cm Giclée print on Hahnemühle German Etching 308gsm Fine Art paper. Limited Edition of 40 (#2/40) Hand-signed and hand-number

Bridge over a small river with distant buildings. Pencil signature lower left margin (1859 notation in pencil lower edge) and plate signature lower right image corner. Appears in very good condition;

Large double matte, small print of drawing/etching of the Palazzo della Vigna di Mont alto. The original etching was created by Israel Silvestre, (French 1621-1691). Measures 20.5 inches long by 15.25

Robert Nisbet (American 1879-1961) original pencil signed etching. Signed in pencil 'Robert Nisbet' lower right. Measures 11" x 14" (plate size). Titled Bull's Bridge. Excellent condition, one small s

Untitled(bridge arch.)c.1900/20's Etching on paper, signed lower right.Dimensions: (frame) H 24.25" x W 29.25" (sight) H 20" x W 24.25" Condition: A chip to corner of frame and a few small scrapes, si

Anthonie Waterloo. 4 original old master etchings. 1) Landscape with ducks by a bridge and windmill in background. Unsigned. Overall 14.75 x 17.25in. 2) 2 small etchings framed together. Both signed i

This listing is for the etching shown, in good condition. The print measures 7.75" by 5" and is attached by 2 small pieces of tape to a nice cardboard matt frame.

JOHN TAYLOR ARMS Cobwebs (Brooklyn Bridge). Etching printed in dark brownish black, 1921. 245x192 mm; 9x7½ inches, full margins. One of only 10 artist's proofs, aside from the edition of 75. Sign

HOWARD COOK Queensboro Bridge. Etching and aquatint, 1930. 277x184 mm; 10x7¼ inches, full margins. Edition of 40 (from an intended edition of 50). Signed, dated, numbered 21/50 and inscribed "imp

Emil Nolde (German, 1867-1956). "Kinder und Strassenmusikant (Children and Busker)" - 1909, etching on wove paper, edition of at least 8, pencil signed lower right margin. Small etching depicting thre

Charcoal on Paper Drawing in Deep Red Charcoal of a Dancing Cossack, Goat & Small Houses in the distance. Signed Marc Chagall lower left. Watermark for J. Perrigot Arches right side. Measures: 30 x 22

Isaac Friedlander (American 1890-1968)- ''Brooklyn Bridge''- etching, 1930, signed, titled and dated in pencil, very slightly light struck, old tape hinge residue along top and bottom of edge of paper

A period, 17th century etching (framed): Rembrandt Van Rijn (Netherlands, 1606 - 1669), "Small Lion Hunt" with two lions, B.115, H. 180, sheet 6 3/8 x 5", on laid paper (tissue backed), armorial water

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

1636 Rembrandt Etching 'Studies Of The Heads Of Saskia & Others' First State. Investment Quality First State 1636 Rembrandt Van Rijn (1606-1669, Amsterdam) Etching titled Studies Of The Heads Of Saski

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Albrecht Durer (German, 1471-1528) The Fall of Man (from The Small Passion) etching 5 x 3 3/4 inches.

Pair of Itallian limestone putti sculptures on plinth bases, one holding a small goat, the other holding a rabbit, 68"h x 29.5"w x 25"d overall.

SMALL GOAT, cast bronze sculpture with dark green patina, signed, 7 x 10 x 6”, mounted to 2” serpentine stone base, sculpture in good studio condition, some chips on stone base. Provenance: Mekler

Rembrandt van Rijn (1606-1669)Studies of the Head of Saskia and OthersEtching, 1636, but a later impression of New Hollstein's second state (of two), on thick cream laid paper without watermark, plate

Sam Gilliam New Bridge 2004etching, screenprint and relief in colors 30 h × 22.375 w in (76 × 57 cm) Signed, titled, dated, and numbered to lower edge '20/50 New Bridge Sam Gilliam

REMBRANDT VAN RIJN The Raising of Lazarus: Small Plate. Etching, 1642. 151x115 mm; 6x4½ inches, narrow margins. Biörklund's second state (of 2); Usticke's second state (e) (of 3); White and