Allegory of death, Flemish painter, second half of the

(Tätig im 18. Jh.) /T/Rheinlandschaft mit Schiffen und Figurenstaffage// Öl/Holztafel. Verso undeutl. Künstler-Bez.; 18 cm x 24,5 cm. Rahmen. /V/German painter active second half 18th c

(Tätig im 18. Jh.) /T/Rheinlandschaft mit Schiffen und Figurenstaffage// Öl/Holztafel. Verso undeutl. Künstler-Bez.; 18 cm x 24,5 cm. Rahmen. /V/German painter active second half 18th c

A Flemish Baroque tapestrysecond half 17th centuryapproximately 8ft 11in x 6ft (270 x 164cm)

Manner of Lenore 'Lee' Krasner (American, 1908-1984):Oil on canvas, signed bottom right, framed. Lee Krasner was an abstract expressionist painter in the second half of the 20th century. She is one of

Dahl, Berlin painter of the second half of the 20th century, view of the castle bridge with castle in the background, oil / canvas, u. li. Signed, 50 x 100 cm

Flemish school from the second half of the 17th century."View of the port of Amsterdam".Oil on canvas. Relined painting.Measurements: 95 x 146 cm; 104 x 155 cm (frame).On this occasion we present a ma

FRENCH PAINTER ACTIVE IN ROME, SECOND HALF OF THE 18TH CENTURY Capriccio with classical ruins and figures Oil on cavas, cm. 24,5x32,5

Description: Jean Philippe Arthur Dubuffet was a French painter and sculptor from the second half of the 20th century.Measures 27.5" x 31.5" inches Provenance: Private collection of France Note:We com

Sanguine on laid paper on paperboard, cm. 27x20 PROVENANCE:Private collection, central-Italy.

DUTCH/FLEMISH SCHOOL Master, active in the second half of the 17th century. ORPHEUS AND THE ANIMALS Oil on canvas (relined). 97 cm x 172 cm (F. 114 cm x 189 cm). Min. restored and min. damaged. Frame.

A table lamp with a Tutankhamun death mask, made by Deknudt. The second half of the 20th century. (22 x 22 x 68 cm)

A table lamp made in Hollywood Regency style with Farao Tutankhamun's death mask. Made by Deknudt during the second half of the 20th century. (21 x 27 x 70 cm)

Oil painting on canvas attributable to the French painter Narcisse virgilio Diaz de la Pena (Bordeaux 1807-Menton 1876) leading exponent of the Barbizon school.

CHINESE GOUACHE PAINTING ON PAPERSecond Half of the 20th Century"Exchanging Experiences in Breeding and Management", by one of the Peasant Painters of Hu-hsien. Depicts a corral of horses an

ANSEL ADAMS (B.1902-1984) Sand Dunes, Sunrise, Death Valley National Monument, California c.1948 Photo-litho 11.5" x 9" Printed second half of 20th Century

Capodimonte porcelain high relief plaque after Peter Paul Rubens, 1st Half 20th Century. After 17th Century Flemish Baroque painter, Peter Paul Rubens' Diana and Her Nymphs Surprised by Satyrs. Unmark

Flemish school, ca. 1520. Attributed to the MASTER OF HALF FIGURES (active in the second quarter of the 16th century). "Virgin and Child. Oil on panel. Measurements: 56 x 39 cm; 82,5 x 65,5 cm (frame)

Oil on panel, cm. 135x127 The painting bears traces of a brush inscription on the blade of the Archangel's swordThe work has been referred by Prof. Pierluigi Leone De Castris to an artist from the cir

A group of four Italian second half 18th century 'lacca' and parcel gilt mirrors Venetian, each one a different model Each decorated with assorted flowers and scrolled foliage, one mirror painted with

Napoleon III pedestal. France, second half of the 19th century. Green onyx, bronze and cloisonné enamel. With marks of use. Measurements: 79 x 46,5 x 48 cm. This elaborate Napoleon III pedestal com

Italian SECOND HALF 20TH CENTURY a pair of garden chairs, in the form of a face carved marble Height 27 x width 27 1/4 x depth 28 x seat height 15 1/2 inches Estimate $6,000-8,000

Important SÈVRES vase. France, Napoleon III period, second half of the 19th century. Enamelled porcelain and gilt bronze. Signed "Georges Émile Poitevin" on the front. With Sèvres stamp insi

Y A PIETRE DURE AND SPECIMEN MARBLE TOP TABLETHE MARBLE TOP FLORENTINE, SECOND HALF OF THE 19TH CENTURY, THE TABLE BASE 19TH CENTURYCentred by a musical tondo with a lapis lazuli border, on a Breccia

Suzani Embroidery, Pskent, Khanate of Kokand, Uzbekistan, second half 19th century9 ft. x 7 ft.Provenance: The Collection of Jeremy and Hanne Grantham, Boston, Massachusetts.