An Exceptional Gilt-Wood and Painted Venetian Suite of a Canape (Sofa) and Three Chairs (Mid-18th

A Louis XVI Style Carved Giltwood Five-Piece Parlor Suite 19th Century Height of sofa 39 x width 89 x depth 25 inches; height of each chair 40 x width 24 1/2 x depth 21 1/2 inches. Property from the E

A SUITE OF THREE FRENCH TRANSITIONAL LOUIS XV/XVI STYLE CANAPÉ EN CORBEILLE AND BERGÈRES A GONDOLA WITH PIERCED MEDALLION BACKS, 19TH CENTURY, parcel-gilt painted and relief gesso and carved

A LARGE CARVED GILTWOOD WALL MIRRORMID 18TH CENTURY, POSSIBLY SWEDISH, IN THE MANNER OF BURCHARD PRECHT 218cm high, 120cm wideProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesThis mirr

A impressive Louis XV giltwood console tableprobably Lyonmid 18th centuryWith portasanta marble top.height 32 1/2in (82.5cm); width 68in (173cm); depth 30 1/2in (77.5cm)

Fourth-quarter 18th Century The sofa with parcel gilt and polychromed wood carcass with green silk brocade upholstery, trimmed in guilloche and coin molding with rosette pateras, and surmounted by pi

A George II Giltwood Marble-Top Pier Table in the Manner of William Kent Mid-18th Century Height 31 x width 41 1/2 x depth 21 1/2 inches. Provenance: Kentshire Galleries Ltd., New York, 1991 (with cop

Pedro Friedeberg (Mexican, b. 1937) "Hand Chair" gilt-painted, carved and joined wood carved signature along back of top edge of base. h. 33", w. 16", d. 20" Notes: Together with "Crepusculo con Molus

A set of twelve French carved and painted Louis XVI style dining chairs, each having giltwood decorated rope twist decoration circa 1940. Having velvet upholstered back and seat. Ht: 35.5" Wd: 20" Dpt

Set (16) Swedish Gustavian gilt side chairs, Early 19th c., Sweden, gilt and faux bronze painted wood, with acanthus-carved splat and Egyptian herm stiles, padded back and seat upholstered in cream an

AMERICAN, POSSIBLY KIMBEL & CABUS, NEW YORK AESTHETIC MOVEMENT PARLOUR SUITE, CIRCA 1890 ebonised wood with gilt embellishments, later covered with period upholstery, comprising a SOFA, 158cm wide, 83

A group of four Italian second half 18th century 'lacca' and parcel gilt mirrors Venetian, each one a different model Each decorated with assorted flowers and scrolled foliage, one mirror painted with

Pierre Paulin (French, 1927-2009) for Artifort mid-century modern sofa from the F260 series also known as ABCD. Wood frame on castors with three shaped foam seats and "wave" backs, with the original w

Pierre Paulin (French, 1927-2009) for Artifort mid-century modern sofa from the F260 series also known as ABCD. Wood frame on castors with three shaped foam seats and "wave" backs, with the original w

A GROUP OF THREE ICONS FORMING A DEISIS WITH SILVER-GILT RIZA Russian, 2nd half 18th century (icons), Russian, Moscow, Vasiliy Anisimov Kovalskiy, 1845 (riza) Tempera on wood panel with velvet backing

Late 19th century French Louis XV style canape, the ornately carved gilt wood crestrail in the form of a dolphin-capped urn raising a floral garland above the shaped rail with love bird ends, with she

Pedro Friedeberg (Mexican, born 1936). An artist designed mixed media chair sculpture. Gesso, with gilt over wood. A hand carved Pop Art work modeled as a whimsical right hand, with thumb elbow rest.

A George III Giltwood Confidante Sofa Attributed to John Linnell, Circa 1780 Height 44 x width 126 1/2 x depth 37 1/4 inches. Property from the Art Institute of Chicago Note: Tripartite sofas such as

A near pair of unusual Chinese Huanghuali wood rose chairs, 18th century, in overall fair condition, with loose joints, missing and replaced pieces with different wood (mainly frame parts under the se

Large Original Carl Christian Brenner (1838-1888 Kentucky) Oil on Canvas Landscape. Forest path, beech trees, in exceptional period gilt wood frame. In his lifetime, Brenner was considered Kentucky's

Pedro Friedeberg, born 1926, surrealist Mexican artist, best known for the 'Hand Chair', a gilt sculptured wood chair using fingers as back and arm rests. Chair is signed on the inside of the bottom p

An exceptional pair of giltwood, gesso and carved eagles. Consisting each of an eagle with outspread wings, arrows and flags in both silver and gold gilt, distinctly carved claws and garland, also in

Monumental pair George II giltwood pier mirrors, 18th c., England, in the manner of Benjamin Goodison, with large shell finial over a portrait medallion, rectangular mirror plate within a stop-fluted

Tabernacle of the Virgin and Child with Two Cherubs, Christ of Sorrow above in the lunette top, relief in painted stucco housed in a contemporary frame of gilt and painted wood, having gilt haloes, or

(French, 1883-1956) Venice, 1923, signed "Marie Laurencin", oil on canvas, 21-5/8 x 18-1/8 in.; painted and gilt wood and composition frame, 28-24-1/4 in.  Literature: Marchesseau, Daniel, and Marie