Attributed to Girolamo Romanino (1485-1566), Putto

Attributed to Girolamo Romanino (c. 1485 Brescia – c. 1566 Brescia), PuttiThe panels of floating and partly music-making putti, conceived from below, are captivating in their expressive, graphi

Celsus, Aulus Cornelius De re medica Venice: Girolamo Scotto, 1566. 8vo (15.2 x 10.8cm), contemporary limp vellum, relined, 400 pp., old marginalia and underlining, binding marked, browning, later gif

This lot consists of an oil painting on canvas, done in the elegant and technical style of Pompeo Girolamo Batoni (Italian, 1708-1787). This unframed piece measures approximately 32" x 25.5". This pie

This lot consists of an oil painting on canvas, done in the elegant and technical style of Pompeo Girolamo Batoni (Italian, 1708-1787). This unframed piece measures approximately 32" x 25.5". This pie

Jacob De Wit (Dutch, 1695-1754) A Flying Putto unsigned; attributed by Dr. A.W.F.M. Meij, (former) curator of Museum Boijmans-van Beuningen, Rotterdam (according to an inscription on the backing paper

Attributed to Michael Powolny Putto with cornucopia ceramics, red-brown shard, colourfully painted and glazed; marked on the lower surface: artist's monogram "MP" h. 31.3 cm

A pair of attributed 18th Century Sevres putti cherub candelabras each having three branches or arms ascending upward with a putti standing in the center atop a bed porcelain flower and greenery; one

Attributed to Hans Makart Kries (Austrian b. 1880) Cavorting Putti with Garlands of Fruits and Flowers Oil on canvas. Tripytch of cherubs. Three in the lot, all part of a ceiling painting. Applied gol

Attributed to: Titian (Italian, Born Circa 1485-1576), oil on canvas, old reline, Venus & Cupid in a landscape, 15" x 22" in period 16th c. frame

Giovanni Battista Rasmusio (1485-1557) and Giacomo Gastaldi (1500-1566), "La Nuova Francia," Venice, 1606. Woodcut map depicting the eastern seaboard of the United States and Canada from New York Bay

Estaban Murillo framed oil on canvas, Spanish 1617 - 1682, attributed to, unsigned, baroque style, sleeping putti, red draped tent and landscape background image - 29 3/4" x 40" in a 36" x 46 1/4" car

Attributed to Antonio Pandiani (Italian, 1838-1928), "Putto Taming Lion", bronze and gilt bronze on silver metal and velvet covered wood base, apparently unmarked, wood base with label to underside "A

A figural leaded glass windowLate 19th century/AmericanAttributed to Tiffany, with a pair of putti figures sitting on a branch centered before a blue sky background and floral motifs, in stained and s

Classical Scene with Nudes and Putto. Possibly a mural study. Monogrammed lower right. Edwin Blashfield (American, 1848 - 1936). From a Fairfield, CT home. Dimensions: 18.5" high x 31" wide. Condition

Attributed to William Henry Rinehart (1825-1874): Bust of Girolamo Savonarola Marble, engraved 'SAVONAROLA'. 26 1/2 x 16 x 10 1/2 in.  Exhibited: Bryn Mawr College, Bryn Mawr, Pennsylvania, 1893.

Attributed to Konstantin Yegorovich Makovsky (RUSSIAN FEDERATION, 1839 - 1915) large oil painting on canvas depicting a water goddess with swans and putti. Signed to lower right. Mounted in a gold lea

Anthony van Dyck (1599-1641), Attributed to.Double-sided sheet of studies of Christ in Glory, surrounded by puttiPen and brown ink, brush and ink, over black chalk, early 17th century, on laid paper w

Rare 4 Arm1850's Rococo Gas Chandelier with Putti Playing Horns. A overall theme of bountiful harvest . Attributed to Cornenlius & Baker Philadelphia. Great gasolier. Wired ready for elec. use. Dia. 3

mantle vases in the form of recumbent putti with foliage swags and cornucopia vase, 11", professional rim repair to one

Attributed to Koppelsdorf Porcelain Mantel Clocklate 19th centuryporcelain case with figural putti and delicate flowers, French 8-day brass spring driven movement with bell striking, movement marked &

Three puttos with bunches of grapes Oil on canvas, cm. 65x82. Framed

Attributed to Jacob de Wit (c.1695-1754) Dutch. 'Allegory of Summer', en grisaille, Oil on Canvas, 7.75" x 9", and a companion piece, 'Putti with a Scythe and Hay', a Pair (2).

attributed design by Albert Carrier Belleuse, modeled as a large nautilus shell with putti mounted on edge with a lyre supported on rocky base with shells and seaweed, 18"h, 13"w, rim repair to shell,

Galatea with putti Pen and ink, wash and chalk on paper under glass Appears unsigned Sight: 6" H x 5.375" W