Bone mounted dress cane. The cylindrical bone kno

Sister Gertrude Morgan (American/Louisiana, 1900-1980), "Resurrection on Dry Bones," 20th c., pen and tempera paint on board, signed upper right, titled center top, float-mounted in a black wood frame

FABERGE - EXTREMELY RARE RUSSIAN IMPERIAL CUT GLASS MOUNTED CANE A Russian GOLD and Cut Glass Mounted Cane with Faberge marks. We are sure what the cane has more maker marks but we could not unscrew i

200. Alligator and Indian Dress Cane- Early 20th century- A nice Florida carving of an Indian in full dress prying an alligator’s mouth open with a stick, great detail is paid to the warriors feathe

Bulldog head cane, 84-silver, with cabochon red stone eyes, turquoise and white guilloche enamel bands, illegible maker's mark, 36" long.

Tiffany & Co. sterling silver mounted cane handle in the form of gargoyle, cane tip cover missing. 32 1/2'' h, handle 4'' l.

Meissen Porcelain Four Seasons Clock Garniture. Putto symbolic of Autumn atop gilt metal mounted cylindrical Lenskirk clock, porcelain clock face iatop flaring base terminating in three scroll feet, m

34. Art Nouveau Gold Dress Cane-Ca. 1890-18 karat yellow gold knob fashioned in a stretching mushroom shape and embellished with a flush set half pearl at the top and a row of square and calibrated,

20. Jeweled silver and Gold Figural Dress Cane-Ca. 1860-Elongated silver knob particularly well modeled, hand chased and engraved in the Renaissance Revival taste with four repeating caryatides panels

8. Guilloche Enamel Dress Cane-Circa 1900-Reversed tear drop shaped knob entirely engine turned and pale blue enameled with four repeating dark blue panels in a padded pattern and miniature 24 karat g

18. Guilloche Enamel Dress Cane-Circa 1890-Classic Milord Knob with a wider central guilloche and navy blue enamel panel framed on both sides by raised applied and trailing laurel leaf bands enclosed

SILVER-MOUNTED CANE WITH HORSE AND DOG MOTIFSLate 19th/Early 20th CenturyAn unusual and finely crafted example. L-shaped ivory handle with a repoussÈ silver sleeve in a variegated foliate design. T

13. Guilloche Enamel Viennese Dress Cane-Circa 1890-The pale blue guilloche has hand painted bouquets of roses and ribbons that surrounds the larger and strongly tapering Milord handle, dark rosewoo

The handsome antique highlander's side arm has a circular faceted glass stone in imitation of a cairngorm atop the carved and etched wood handle above silver mounts with Celtic knot engravings bearing

A FINE LATE 18TH / EARLY 19TH CENTURY TORTOISESHELL AND GOLD MOUNTED WALKING CANE the entire shaft with tortoiseshell veneers, with gold pommel with heraldic crest, 87cm in length, This lot is subject

Romero Britto (United States/Brazil: B. 1963) acrylic painting on canvas titled "Purple Dress" mounted in original Britto frame as well. Hand signed to lower left. Signed, titled and dated to verso. D

Ancient Indian carved sandstone dancer sculpture. Depicts a dancing figure in ceremonial dress. Mounted to a black display stand. Comes with darkened finish wood display stand measuring alone 38 1/2"

A 9 KARAT GOLD MOUNTED PRESENTATION FIREMAN'S CANE The cane having allover scrolling repousse decoration monogrammed 'R' and engraved 'Presented to Chas. H. Rogers by Members of Hose No 1 and Friends,

Angelo Lelli (Italian, 1911-1979) for Arredoluce (Italian, founded 1950s), circa 1958. Polished brass 'Easel Lamp' with cylindrical shaft mounted near the top with articulating two-part arm with shade

Gem-Set Dress Clips platinum, the dress clips mounted in a frame, allowing them to be worn together as a brooch, mounted with round brilliant-cut and baguette-cut diamonds weighing approximately 2.59

Jean Hans Arp, German, French, 1886 to 1966, polished and patinated bronze sculpture, The Star. Mounted on a cylindrical shaped stand. Signed with intials, on the sculpture. Circa: the second half of

J. Wade Beam for Brueton Stainless Steel and Black Plate Glass Tea Console ca. 1970-1980, the half-round top with an inset black glass panel, mounted to a cylindrical stainless steel base. h. 30-1/2",

A LARGE PAIR OF LATE 19TH CENTURY FRENCH PATINATED BRONZE, ORMOLU AND WHITE MARBLE CANDELABRA modelled as standing putti holding ormolu candle sconces mounted on reeded cylindrical marble bases with a

DESCRIPTION: A Murano glass sculpture depicting an abstract double flame form with two center air-bubble orbs, mounted to a cylindrical frosted glass base, illegible, Incised signature at base. "Vetro

A Pair of Chinese turquoise ground cylindrical vases, mounted as lamps, decorated en grisalle with various blossoms. 20th century. Provenance: Christie's, New York "Interiors" sale, October 6-8, 2014,