Carlo Francesco Nuvolone, Milan c. 1608/09 - 1661 Milan, Circle of, Mary Magdalene

AFTER CARLO FRANCESCO NUVOLONE, OIL ON CANVAS, MID/LATE 19TH C, H 40", W 34.5", JUDITH WITH THE HEAD OF HOLOFERNES A mid- to late-19th century oil on canvas after "Judith With The Head Of Holofernes"

(Milano, 1608/1609 - 1661/1662) Allegoria della Carità Olio su tela, cm 26,5X33,5 Il dipinto trova precisi riscontri con la tela di medesimo soggetto pubblicata da Filippo Maria Ferro nel 2013 (cfr.

Ebonized wood frame, metal and embossed copper inlays., Private collection - Milan, Italy, c. 1900, W. 55 - D. 3 Cm

Ebonized wood structure, embossed copper and mother-of-pearl details. Parchment upholstery and trimmings., From a private collection - Milan, Italy, c. 1900, W. 67 - D. 67 - H. 100 Cm

(Milano, 1619 - 1703) Madonna con il Bambino Olio su tela, cm 87X71 Membro della dinastia di pittori che ebbe come capostipite Panfilo (Cremona, 1581 - 1651) e il fratello Francesco (Milano, 1609 - 16

(Milano, 1640 - 1715) Salome' Olio su tela, cm 180X135 Provenienza: Scansano, Castello di Montepò Probabile allievo di Carlo Francesco Nuvolone, Filippo Abbiati fu un artista di notevole successo dur

O/C OLD MASTER STYLE MARY MAGDALENE W/ FINE PERIOD BAROQUE GILT FRAME, 18/19TH C., H. 35" W. 28" (AFTER GIAMPIETRINO)

Penitent Mary Magdalene, artist unknown, oil on canvas, circa 1660 - 1670, Saint Mary Magdalene with a jar of ointment, after original by Carlo Dolci (1616 - 1686), original hangs in the Galleria Pala

A nineteenth century KPM porcelain plaque with hand painted scene of woman reading a book, bears impressed KPM with sceptre mark. After the original painting "Anton Graf, Mary Magdalene" by Pompeo Bat

'The Crucifixion of Christ, a painting, oil on panel. Southern Dutch or Flemish school, 16th-17th century. Calvary with images of 'The Crucifixion, Virgin Mary, Mary Magdalene and St John

CARLO BUGATTI (Milan, Italy, 1856-1940, Molsheim, France). Cabinet, ca. 1900. In ebonised walnut wood, inlaid with pewter, copper and vellum. Signed. There are slight cracks at some angles, as well as

paper label present on interior. Length 23" Width 8" Provenance Frederick W. Oster Fine Violins, Philadelphia. This violin was purchased by Martha McKinnon (deceased) from Fred Oster approximately 6 y

Circle of Francesco Montelatici, called Cecco Bravo (Florence 1607-1661 Innsbruck) Supper at Emmaus oil on canvas 56.2 x 49.8cm (22 1/8 x 19 5/8in). This lot is subject to the following lot symbols: &

(Disney, c. 2000's). An expertly crafted Walt Disney's "Mary Poppins" 40th Anniversary limited edition lamp with stained glass. The lamp displays several symbols from the movie in its glass and Mary P

Western/Southern Europe, northern Italy, perhaps Brescia or Milan, and Germany, ca. 1580s CE. A suit of steel-plate armor used for field duties. The close helmet features a roped vertical crest, a vis

Max Ingrand, Ceiling light '1748', c. 1957, H. 40 x 57 x 57 cm. Made by Fontana Arte, Milan. Cut glass, acid-polished glass, brass., Deboni, Fontana Arte: Gio Ponti, Pietro Chiesa, Max Ingrand, Turin

Circle of Giulio Cesare Procaccini (Bologna circa 1570-1625 Milan) The Madonna and Child oil on canvas 65.3 x 56.3cm (25 11/16 x 22 3/16in).

CARLO BUGATTI (1856-1940) Box and Cover circa 1900 hand painted parchment over wood height 2 3/4in (7cm); width 10in (25cm); depth 9 3/4in (24.8cm) Footnotes: Provenance Private Collection, Milan

Mathias Goeritz Untitled c. 1955gouache and charcoal on paper laid to Masonite 25.625 h × 19.625 w in (65 × 50 cm) Signed to lower edge 'MG'. Provenance: Li

Carlo Mollino; F. Birri. 'Suora' floor lamp, 1947. H. 300 x 40 x 120 cm (max.). Made by Galleria Colombari, Milan, in the 1990s. Pink marble, tubular brass, parchment-like shade.

LUCA GIORDANO (Naples, 1634 - 1705). "Saint Mary Magdalene. Oil on canvas. Period frame. Size: 78 x 60,5 cm; 76,5 x 94,5 cm (frame). At the buyer's request, this lot can be enclosed with a copy of the

After Perugino (possibly 19th Century) St Mary Magdalene, oil on a cradled panel, 18" x 13", (46x33cm).

(late 16th century) Christ Crucified, a Roman soldier piercing His side, the cross with the Titulus Crucis and flanked by the thieves, Mary Magdalene grasping the base of the cross, soldiers crowding

Italian school of the first half of the seventeenth century. School of "CORREGGIO" Antonio Allegri (Italy, 1494 - 1534). "Madonna and child with St. Jerome and Mary Magdalene". Oil on canvas. Re-tinte