Cibachrome Print, James Baker

Appears unsigned, titled "Burning Cottonwoods, Dugout Ranch." RDA# 71572. Bin# 1. Sight size: 14"h x 17 1/2"w

Titled "Roaring Fork Valley, Colorado (Yellow Cloud)" and "Great Sand Dune National Monument, Colorado." RDA#71580 and 71576. Bin#39. Sight size: 16-1/2"h x 20-1/2"w

Approx 30" x 35 1/2"

Approx 28 1/4" x 35"

Framed cibachrome print by photographer Stephen Reip (20th / 21st century, Seattle, Washington). Titled "I've Seen You're Mean". Signed with artist label attached to the reverse with title and date, 1

NAN GOLDIN (*1953) | ‘James and Kyle backstage’, Magaschoni Show, New York 1995 | Cibachrome print, printed later, in perfect condition From the series ‘James King, supermodel’

NAN GOLDIN (*1953) | ‘James King at Ghost Show’, New York 1995 | Cibachrome print, printed later, in perfect condition From the series ‘James King, supermodel’ 50 x 35 cm Signe

Andres Serrano (AMERICAN / NEW YORK, Born 1950) cibachrome print on paper titled "The Church". Signed to verso. Mounted in a black painted wooden frame behind acrylic screen. Paper measures approx. 39

James Rizzi (American, b. 1940), "Smell the Flowers," 1985, 3D serigraph on paper, signed lower left, titled lower center, edition 144/150, overall (with frame): 16"h x 14.5"w. Provenance: Estate of S

Neil Winokur (American, b. 1945-), "Shoe"-1990, Cibachrome print, signed to verso. With gallery label to verso "Janet Borden Inc." (New York, New York). Photograph depicting a black high-heeled shoe o

Appears to be unsigned. RDA#70476. No Bin-Wall. Sight size: 5'1"h x 47"w

James Abbott McNeill Whistler (American, 1834-1903), "The Little Cafe au Bois," 1894, lithograph, pencil signed lower right, plate signed with the butterfly lower center, with a collector stamp verso,

Large book, "The Modern Japanese Print", James A. Michener, with 10 original prints, Charles Tuttle Company, Rutland Vermont, Tokyo Japan, with original wood sleeve, good condition.

James Rosenquist (American, 1933–2017), "Pale Lamps," 1978, etching in colors, pencil signed and dated lower right, titled lower left, edition 12/78, image: 17.5"h x 35.5"w, overall (with frame): 30

James Baker Pyne (1800 - 1870) England Oil on Canvas Measure 16"in H x 26"in W and 25"in H x 34 1/2"in W x 3"in D with frame Known for: English water views, landscape and country scene painting Name v

James Rosenquist (American, b. 1933), "Highway Trust," 1978, lithograph in colors, pencil signed lowe right and dated, titled lower left, edition 16/78, published by Multiples, Inc. (New York, NY), im

James Rizzi (American 1950-2011) ""A Toast to Love "" 1992 screenprint pencil signed and dated lower right edition number 18 overall (with frame): 16.5""h x 17.5""w

Leland Rice, large-scale Cibachrome print, 1987, Leland Rice ( American, b.1940), "ESN", gallery label verso, framed under Plexiglas, 33"h x 52"w (sheet), 41"h x 49.5"w (frame) Provenance: The Collect

James Baker Pyne (British, 1800-1870) On the Rhine at Oberwesel watercolor over pencil 15 1/4 x 23 inches. Property from the Collection of F. Alan Cummings, Tallahassee, Florida Provenance: Phillips &

James Abbot McNeill Whistler (American, 1834-1903), "Chelsea Bridge," 1871, etching, state VI/VII, unsigned, image: 4"h x 6.5"w, overall (with frame): 12.75"'h x 15.25"w. Reference: Glasgow 102; Kenne

James Abbott McNeil Whistler (American, 1834-1903), "The Long Balcony," 1894, lithograph, gallery label (George Krevsky Gallery, San Francisco, CA) affixed verso, ref: Way 49; Levy 80, overall (with f

James Rosenquist (American, 1933–2017), "Music School," 1971, lithograph in colors, pencil signed and dated lower right, titled lower left, edition 35/70, sheet: 34.5"h x 30"w, overall (with frame):

Appears unsigned. RDA# 70429 Bin#56 Sight size: 16 "h x 20 "w

James Ensor (Belgian, 1860–1949), "Roman Victory," 1889, etching, plate signed lower left, image: 7"h x 9"w, overall (with frame): 28.25"h x 23.25"w