Etude Pour Une Baigneuse. 1906 In Japan paper, signed

ATTRIBUTED TO PIERRE-RENOIR "ETUDE POUR UNE BAIGNEUSE" STUDY FOR A WOMAN BATHING, CHARCOAL ON PAPER. SIGNED "RENOIR" LOWER RIGHT. Height: 20 & 9 in. by Width: 18 & 7 in.

Pierre-Auguste Renoir (1841-1919) Étude pour une baigneuse, c.1906 Drypoint and etching on wove paper, second state (of two) with the artist's inkstamped signature, with wide margins. 8 3/4 x 6 1

Pierre-Auguste Renoir (1841-1919) Étude pour une baigneuse (Study for a bather) (Delteil 16, Stella 16), 1906 Drypoint and etching on wove paper, the second state (of two), with the artist's ink

Artist: Pierre-Auguste Renoir Title: Etude pour une baigneuse Year: c. 1906 Dimensions: 13in. by 9.8in. Edition: From the rare limited edition Medium: Original

Artist: Pierre-Auguste Renoir Title: Etude pour une baigneuse Year: c. 1906 Dimensions: 13in. by 9.8in. Edition: From the rare limited edition Medium: Original

Artist: Pierre-Auguste Renoir Title: Etude pour une baigneuse Year: c. 1906 Dimensions: 13in. by 9.8in. Edition: From the rare limited edition Medium: Original

VOYAGE POUR UN HOMME, color lithograph on Japan paper, signed and numbered 113/175 in pencil, sheet 20 ¾ x 26 ¾”, frame 28 ½ x 34” with glass.

Francis Bacon 1909 - 1992 Etude pour une Corrida (after Study for Bullfight No. 1) Sabatier 10; color lithograph on Arches 1971; ed. 58/150; signed in Felt Tip Marker and numbered in pencil; published

Friedensreich Hundertwasser (1928-2000), Study for "La lune en rodage", 1959, watercolour and collage on paper, signed, 20x15 cm; "From 1953 to 1959, the artist cut eight of his watercolours into 240

Ink on paper, signed 'A. D. de Segonzac' lower left, inscribed 'Pour l'education sentimental' lower right. 8 1/4 x 6 1/8 in. (sheet), 16 x 14 in. (frame).

Medium: engraving (after the drawing). Printed on Vidalon wove paper and published in Paris in 1948 by Braun et Cie for a scarce portfolio. The platemark measures 9 1/2 x 7 1/2 inches (240 x 190 mm).

Medium: engraving (after the drawing). Printed on Vidalon wove paper and published in Paris in 1948 by Braun et Cie for a scarce portfolio. The platemark measures 9 1/2 x 7 1/2 inches (240 x 190 mm).

Marc Chagall (French-Russian, 1887-1985) "Menu pour une Reception sur le Bateau-Mouche, Paris", color lithograph on paper, pencil signed "Marc Chagall", edition 36/75, 13-3/4" x 9-5/8", framed 23-1/4"

UNE SAISON EN FER (One of the ten etchings in the Series), 1978. Aquatint in color on Japan nacré paper. Signed in Graphite, Matta, lower right. Numbered 48/100 in graphite, lower left. Published b

UNE SAISON EN FER (One of the ten etchings in the Series), 1978. Aquatint in color on Japan nacré paper. Signed in Graphite, Matta, lower right. Numbered 1/100 in graphite, lower left. Published by

UNE SAISON EN FER (One of the ten etchings in the Series), 1978. Aquatint in color on Japan nacré paper. Signed in Graphite, Matta, lower right. Numbered 1/100 in graphite, lower left. Published by

Roland Chanco (1914-2017), French artist, ''Étude pour la mort du Chat'', charcoal drawing on paper (rolled), signed and dated lower left (19963, inscribed lower right, 65 x 50 cm

Jiri Kolar (Czech, 1914-2002) 'Sèrènade Pour une Escarpolette' 1982 Paper collage on wood ; 16 x 21.25 (in) Signed and dated JK 82, lower right Douglas Kenyon Inc and Galerie Maeght gallery tags, ve

Serenede Pour Une Meuse Theo Tobiasse Lithograph in colors on paper 21 out of 310 Hand signed and numbered 35.25 x 25.75 x 0

VICTOR VASARELY (1906-1997) Etude Vega (Vega Study), 1969 Mixed media on paper 32" x 32 3/4" Signed lower right, titled and dated to left side, stamping to verso from Victor Vasarely Studio

Titled “L’Amitie -Affiche pour Lettera Amorosavon Rene Char”. Editioned 41/75 lower left and signed lower right, with Horizon Gallery label verso. On japan paper. Dimensions: (Frame) H 31.5” x

Marc Chagall (1887-1985) Le Vagabond (Cramer 20) Etching, 1967, on Japan paper, signed and numbered 34/35 in pencil, the full sheet, with a deckle edge at right, with pale mount and time staining, a s

Robert Rauschenberg (1925-2008) Stunt Man I, 1962 Lithograph in colors on Japan paper, signed in pencil, dated and annotated 'Artist's Proof' (aside from the edition of 37), with the blindstamp of the

δ Hermes (Gertrude) Waterlilies, wood-engraving on cream Japan paper, signed in pencil, numbered from an edition of 30, inscribed and dated, 235 x 140 mm (9 1/4 x 5 1/2 in), hinged into mount, so