Ferdinand Bol etching and drypoint

The Family in the Room (Bartsch 4, Hollstein 4) inscribed '34 FBOL' (to the reverse of the sheet) etching and drypoint on laid paper with Strasbourg Lily watermark 18.5 x 22cmProvenance: Ferdinand Wor

Large format 19th century etching on vellum, according to back of framing. Unexamined out of frame. In a fine mahogany banded frame. Dimensions: (Frame) H 35.5" x W 30", (Sight) H 19" x W 15" Conditio

Ferdinand Bol (Dutch, 1616-1680) Bearded Old Man circa 1640. original copper plate for the etching of the same title. 2 15/16 x 2 1/8 in. Clement de Jonghe, estate inventory, 1679, #37. Pieter de Haan

Ferdinand Bol (Dutch, 1616-1680) Bearded Old Man, Profile to Right. Etching, trimmed on plate mark, unframed. Ref: Hollstein 17 III/III 3" x 2 1/8"

Salvador Dali ''Poemes Secrets'' 1967 Drypoint Etching 12.5''x9.25'' Impression. One image from the set of portfolio of eighteen by Guillaume Apollinaire. Embossed signature lower margin. Ferdinand Ro

(Austrian, 1870-1928) 1901, etching and drypoint, signed in pencil l.r.c. Overall: 29-1/2"h x 31-1/4"w Sight: 20-7/8"h x 22-1/4"w Literature: Weixlgartner 42

Drypoint etching(restrike). Mother with Child on Arm. Information on reverse. Ferdinand Roten Galleries Baltimore, MD; 7.5in. X 4.75in.(image size)

A lithograph and original drypoint etching by Marcel Vertes (Hungarian-Jewish origin) ex-Ferdinand Roten Galleries, Baltimore, Maryland. Dry point 13 inches x 9 ¾ and lithograph is 14 x 10 &fra

Ferdinand Schmutzer (Austrian 1870-1928) dry point etching of the Austrian actor Josef Kainz as Hamlet circa 1906

KATHE KOLLWITZ GERMAN, 1867-1945), ETCHING, DRYPOINT & AQUATINT, 1899, H 11", L 12", "AUFRUHR" ("REVOLT"):Signed in pencil lower right. Numbered 7/50 lower left. Framed.

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

Follower of Ferdinand Bol (Dutch, 1616-1680)Portrait of a young girloil on oak panelreverse inscribed Ferdinand Bol, with old printed gallery label to reverse13 x 11in (33 x 28cm) Pro

ETCHING & DRYPOINT "TRIUMPH OF MORDECAI" IN VERSO REMBRANDT VAN RIJN , 1641 (6 1/2" X 8 1/4" SIGHT SIZE

This is a vintage signed etching and drypoint print from artist Bernard Buffet (French, 1928 - 1999). An exclusively figurative artist, his works can be seen in the collections of the world's leading

Gene Kloss (American, 1903 - 1996), "Corn Husking - Taos Pueblo" c. 1960, etching / drypoint, edition 49/50, pencil signed along lower border, (Kloss, 481), framed and matted behind glass, wear consis

James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

O/C - Portrait of a Gentleman - Painting: 15" x 11" - Frame: 19" x 15" Shipping Domestic: Shipping rates are determined by destination. International: Foreign shipping rates are determined by destinat

Rembrandt's prime student and assistant. This drawing was for years attributed to Rembrandt. Brown ink and quill on toned paper. 12 in x 9.5 in.

Louis Icart reproduction "Lady with Peacock" etching & drypoint copyright notice upper left 1925 29" x 24"

Louis Icart "Lady with Peacock" etching & drypoint copyright notice upper left 1925. Pencil rigned LR, windmill mark LL, plate size approx 15"w x 18.5"h , frame size 28" w x 32"h

Louis Icart(1888-1950)"Intimacy," 1928Etching, drypoint, and aquatint in colors on paperA proof aside from the edition of unknown sizeSigned in pencil in the lower margin, at right: Louis Ic

Louis Icart(1888-1950)"Mockery," 1928Etching, drypoint, and aquatint in colors on paperA proof aside from the edition of unknown sizeSigned in pencil in the lower margin, at right: Louis Ica

Robert Indiana(1928-2018)"American Dream II, Eat, Die, Hug, Err," 1996Etching, drypoint, and aquatint in color on wove paper, watermark ArchesEdition: XXXXVI/LSigned, titled, dated, and numb

Louis Icart (1888-1950)"Blue Alcove," 1929Etching, drypoint, and aquatint in colors on paperFrom the edition of unknown sizeSigned and numbered in pencil along the lower edge: Louis Icart /