Giovanni Antonio Canal, called CanalettoCapriccio with a Ruined Classical Triumphal Arch, a Circular

Giovanni Antonio Canal, called Canaletto (1697-1768)'The house with the inscription' and 'The house with the peristyle'etchings, circa 1740-1741, the pair printed on one sheet, laid paper, with waterm

Pair of antique original oil on canvas paintings in the manner of Canaletto (Giovanni Antonio Canal, Italian, 1697-1768). Depicts an Italian figural landscape scene with a view of the Grand Canal. Hou

In the manner of Giovanni Antonio Canal, known as Canaletto (Italian, 1697-1768 ), Continental oil on canvas, mid 19th century, depicting a view of the Piazza San Marco in Venice with figures, apparen

18th C Important Italian Canaletto School, O/C. Signs of Restoration. Appears to be original stretcher. Provenance; From a Chicago estate. Canaletto, or Giovanni Antonio Canal, was an important 18th C

olio su tela, W. 73 - H. 61 Cm

(Venezia 1675 - 1741) La continenza di Scipione Olio su tela, cm 130X100 L'opera, come indica Filippo Pedrocco nella scheda critica allegata, presenta caratteri di stile e qualitativi tipici dell'arti

The Bacino de San Marco, with the Doges Palace and Campanile, oil on canvas, unsigned, in an early Italian gold molded frame, OS: 23 1/2" x 36 1/2", SS: 20" x 30", cleaned, relined and retouched.

(Venezia 1675 - 1741) Riposo nella fuga in Egitto Olio su tela, cm 94X126 Ricondotta al catalogo di Giovanni Antonio Pellegrini da Filippo Pedrocco, la tela è una bellissima testimonianza pittorica i

al retro reca antica attribuzione a Giovanni Antonio Bazzi detto il Sodoma, olio su tavola, W. 75 - H. 100 Cm

A Flemish Verdure Tapestry-17thc. Woven with a leafy forest landscape populated by various bird species, with a Crane in the foreground, a ruined arch centering the composition, and a city in the dist

[Maps] Gio. Ant. Magnini, Italia, 1620, Giovanni Antonio Magnini. Italia, data in luce da Fabio suo figliuolo al Serenissimo Ferdinado Gonzaga Duca di Matoua edi Monserrato etc. Bologna, for Sebastian

After Antonio Allegri, called Correggio (Italian, 1489-1534) The Mystic Marriage of St. Catherine of Alexandria. Oil on canvas laid to board, after the painting located in the Louvre 41" x 40" Frame:

ANTONIO DA CANAL, IL CANALETTO An Imaginary View of Padua. Etching, circa 1740. 301x425 mm; 12x16¾ inches, wide margins. Second state (of 3). The letter A countermark (?) to an unidentified water

Giovanni Francesco Barbieri, called il Guercino (Cento 1591-1666 Bologna) A small child seated on a stone step with his head inclined and resting his elbow on a ledge red chalk on laid paper, watermar

Studio of Giovanni Battista Salvi, called il Sassoferrato (Sassoferrato 1609-1685 Rome) The Madonna in prayer oil on canvas, unlined 48 x 37.5cm (18 7/8 x 14 3/4in). This lot is subject to the followi

A good mid 19th century mahogany longcase regulator Philips Brothers London The case with shallow arch over an opening door with circular aperture framed by four ebonised quadrants, the long trunk doo

Gaspard Dughet, called Gaspard Poussin (Rome 1615-1675) An extensive classical landscape with fishermen on the banks of a river oil on canvas 100 x 136.3cm (39 3/8 x 53 11/16in). This lot is subject t

MINOLETTI GIULIO (1910 - 1981) Pair of swivel chairs from the Belvedere of the ETR 300 electric train (called Settebello) for Breda, Sesto San Giovanni. Painted metal and padded skai.. Cm 52,00 x 78,0

Stunning circular swivel sofa "Amoenus" designed by Antonio Citterio for the Maxalto Collection for B&B, Italia.Manufactured in 2007. The circular sofa is the perfect mid-room highlight piece.The sofa

A very rare French Renaissance gilt brass circular horizontal tambour timepiece B. Bouchas, Valence, dated 1558 The circular gilt brass movement with three slender square section Classical column pill

early 19th century, each with facing spread wing eagle perched on a rock formation flanked by cattail and foliate decoration, molded circular surround decorated with spherules, convex mirror plate wit

Oil on canvas, middle to late 18th century. A large and impressive "Capriccio" or architectural fantasy painting, depicting splendid classical ruins, along with several figures in the foreground, clas

Giovanni Muzzioli (Italian, 1854-1894). An original oil painting on canvas. Depicts a fashionably dressed lady in a classical interior genre scene. Artist signature lower right. Housed in an ornate go

After a model by Francesco Antonio Franzoni (Italian, 1734-1818) made for Pope Pius VI and in the collection of the Vatican Museum, Rome, Italy. With two supports with mythical winged rams and garland