Mary Bonner (1887-1935), "The Joke", drypoint etching,

Mary Bonner (American, 1887-1935) etching on paper depicting sailboats in calm waters, signed and dated lower right: "Mary Bonner '26," edition 5 / 100. Image: 8" H x 10.375" W; frame: 15.5" H x 17" W

Mary Bonner (American, 1887-1935) Tree etching signed and stamped 6 1/8 x 4 7/8 inches. Estimate $200-400

Mary Bonner (American, 1887-1935) Therese Damidau etching signed in pencil, stamped 5 7/8 x 5 7/8 inches. Estimate $80-120

Mary Bonner (1887-1935), "La Lavandiera", 1924, ed. 4/26, etching, image size: 5 x 7", frame: 14 x 15.25" Provenance: An Olmos Park, Texas collection Known for her etchings of Texas cowboys and the

Mary Anita Bonner (Texas / France, 1887-1935), dock workers, 1924, etching plate: 5 x 7 in., frame: 11 x 13 in. Provenance: A San Antonio, Texas collection Mary Bonner was known for her etchings of

Mary Bonner (1887-1935), Alamo, woodblock print, 5.25 x 3.25", frame: 9.5 x 8" Provenance: A San Antonio, Texas collection Known for her etchings of Texas cowboys and the only noted early 20th-centu

Mary Bonner (1887-1935), Alamo, woodblock print, 5.25 x 3.25", frame: 9.5 x 8" Provenance: A San Antonio, Texas collection Known for her etchings of Texas cowboys and the only noted early 20th-centu

Mary Bonner (San Antonio, Texas/Paris, France, 1887-1935), sailboat, ed. 20, hand-colored etching, signed lower right, sight: 7 x 5", frame: 13 x 10" Provenance: An Artesia, California collection Ma

Mary Anita Bonner (Texas / France, 1887-1935), vintage period photographs framed as one; vintage period silver gelatin photographic prints of her etchings, French sailing boats frame: 9 x 15.5 in. P

Mary Bonner (1887-1935), Provincial French Landscape, 1926, watercolor, 13.5 x 18", frame: 22.5 x 27.5" Provenance: The Estate of Joan and Herbert Hahn (San Antonio, Texas) Known for her etchings o

Mary Bonner (American, 1887-1935) Tree etching signed in pencil 6 1/8 x 4 7/8 inches.

Mary Bonner (American, 1887-1935) Portrait woodcut signed and numbered 7/25 in pencil 13 1/2 x 9 1/2 inches. Estimate $200-400

Mary Bonner (Texas / France, 1887-1935), "Mission San Antonio de Valero, 'The Alamo' - 1718", historic woodblock print from the San Antonio Conservation Society size: 5 x 3 in. Prove

Mary Anita Bonner (Texas / France, 1887-1935), woodblock print of the Alamo, 1928, for the San Antonio Conservation Society sight: 5.25 x 3.25 in., frame: 8.5 x 6 in. Provenance: An Alamo Heights, T

"Mary, No. 2" Drypoint etching. Circa 1913. Signed in pencil lower right. Sign in plate left. 9 7/8 x 7 7/8 in (sight) (See, The Art Institute of Chicago, Reference No. 1941.27, for another example of

Wickey, Harry Herman (American 1892 - 1968), Ninth Avenue, (New York), circa 1935, drypoint etching, 9 x 9.5 inches, pencil signed and numbered 3/50, Provenance: The Estate of Charles H. Booth Jr., Ne

The Joke. Drypoint etching, signed and with artist's blind stamp in the lower margin, matted and framed under glass overall 20" x 15". Monogram in the lower right corner of the plate. 9 x 9.25 in

A drypoint etching by Mary Cassatt (1844-1926), "Sarah Smiling", listed in Breeskin catalogue, no signature visible, label attached verso with attribution and title from FAR Gallery, Madison Avenue, N

"Hillside", "Mountain" and "Roofs" drypoint etchings by American artist Leonard Lehrer, all pencil signed, titled and numbered ("Roofs" 10/15, "Mountain" 7/15, "Hillside" 8/15), all matted and framed.

Grant Tyson Reynard (American, 1887-1968), drypoint etching on paper of a cellist, pencil signed, 9-3/8" x 6-7/8" pl, 12" x 10-1/8" sheet, excellent condition

Mary Cassatt (American 1844-1926)- ''The Manicure'' (Breeskin 199)- drypoint, ca. 1908, posthumous printing, good condition. 8 1/4 x 5 7/8'' Provenance: Columbus, OH estate

"The Manicure" (1908). Posthumous impression, apparently unsigned. Dimensions: (Frame) H 20" x W 16.75" (Plate) H 8.25" x W 5.75" Condition: Not examined out of frame. No issues to note.

Mary Huntoon dry point etching titled 'From a Window Taxco Roofs' lower left, noted Tual Proof ET-32 lower center, signed lower right, noted 'Philadelphia M. of Art 3 prints' in the margin, plate meas

(American, 1844-1926), titled "Gardner Held by his Mother," signed in pencil l.r. Mary Cassatt. Sight size: 9-1/2"h x 6-1/4"w