Mary Bonner (1887-1935), Villagers, 1924, drypoint

Mary Bonner (1887-1935), "La Lavandiera", 1924, ed. 4/26, etching, image size: 5 x 7", frame: 14 x 15.25" Provenance: An Olmos Park, Texas collection Known for her etchings of Texas cowboys and the

Mary Anita Bonner (Texas / France, 1887-1935), dock workers, 1924, etching plate: 5 x 7 in., frame: 11 x 13 in. Provenance: A San Antonio, Texas collection Mary Bonner was known for her etchings of

Mary Bonner (1887-1935), Provincial French Landscape, 1926, watercolor, 13.5 x 18", frame: 22.5 x 27.5" Provenance: The Estate of Joan and Herbert Hahn (San Antonio, Texas) Known for her etchings o

Mary Bonner (1887-1935), Alamo, woodblock print, 5.25 x 3.25", frame: 9.5 x 8" Provenance: A San Antonio, Texas collection Known for her etchings of Texas cowboys and the only noted early 20th-centu

Mary Bonner (1887-1935), Alamo, woodblock print, 5.25 x 3.25", frame: 9.5 x 8" Provenance: A San Antonio, Texas collection Known for her etchings of Texas cowboys and the only noted early 20th-centu

Mary Bonner (American, 1887-1935) etching on paper depicting sailboats in calm waters, signed and dated lower right: "Mary Bonner '26," edition 5 / 100. Image: 8" H x 10.375" W; frame: 15.5" H x 17" W

Mary Bonner (American, 1887-1935) Tree etching signed and stamped 6 1/8 x 4 7/8 inches. Estimate $200-400

Mary Bonner (American, 1887-1935) Therese Damidau etching signed in pencil, stamped 5 7/8 x 5 7/8 inches. Estimate $80-120

Mary Bonner (American, 1887-1935) Tree etching signed in pencil 6 1/8 x 4 7/8 inches.

Mary Bonner (American, 1887-1935) Portrait woodcut signed and numbered 7/25 in pencil 13 1/2 x 9 1/2 inches. Estimate $200-400

Mary Bonner (Texas / France, 1887-1935), "Mission San Antonio de Valero, 'The Alamo' - 1718", historic woodblock print from the San Antonio Conservation Society size: 5 x 3 in. Prove

Mary Anita Bonner (Texas / France, 1887-1935), woodblock print of the Alamo, 1928, for the San Antonio Conservation Society sight: 5.25 x 3.25 in., frame: 8.5 x 6 in. Provenance: An Alamo Heights, T

Mary Anita Bonner (Texas / France, 1887-1935), view of French pasture and village, etching signed in pencil plate: 5 x 9 in., frame: 10.5 x 13.5 in. Mary Bonner was known for her etchings of Texas c

Mary Anita Bonner (Texas / France, 1887-1935), vintage period photographs framed as one; vintage period silver gelatin photographic prints of her etchings, French sailing boats frame: 9 x 15.5 in. P

Mary Bonner (San Antonio, Texas/Paris, France, 1887-1935), sailboat, ed. 20, hand-colored etching, signed lower right, sight: 7 x 5", frame: 13 x 10" Provenance: An Artesia, California collection Ma

Mary Anita Bonner (American, 1885-1935). An oil on canvas board landscape of Rockport / East Gloucester titled "Houses along the Ocean". Signed lower right and in a gilt frame. Schwarz and Son, Philad

Marc Chagall (French-Russian, 1887-1985), "The Acrobat", 1924. Etching and drypoint on paper. Numbered 133 of 170 in pencil on lower left. Catalogue Raisonne # is Kornfeld 40. Chagall was an incredibl

Shipping from Austin, TX Dimensions: 10.5 x 12.5 in Mary Bonner was an American artist born in Louisiana, but moved to Texas at an early age, she traveled to Paris in the early 1920's to learn the pri

Shipping from Austin, TX Dimensions: 10.5 x 12.5 in Mary Bonner was an American artist born in Louisiana, but moved to Texas at an early age, she traveled to Paris in the early 1920's to learn the pri

Shipping from Austin, TX Dimensions: 10.5 x 12.5 in Mary Bonner was an American artist born in Louisiana, but moved to Texas at an early age, she traveled to Paris in the early 1920's to learn the pri

Shipping from Austin, TX Dimensions: 15 x 12.5 in Mary Bonner was an American artist born in Louisiana, but moved to Texas at an early age, she traveled to Paris in the early 1920's to learn the print

δ Marc Chagall (1887-1985)Der Akrobat mit der Geige (Kornfeld 40 III B)Etching with drypoint printed in dark brown, 1924, from the unsigned edition of 150, published by Edition Vollard, Paris, on

"Mary, No. 2" Drypoint etching. Circa 1913. Signed in pencil lower right. Sign in plate left. 9 7/8 x 7 7/8 in (sight) (See, The Art Institute of Chicago, Reference No. 1941.27, for another example of

Mark Lancelot Symons (British 1887-1935) Moving Day, c.1929-30, oil on canvas, signed lower right, framed. Dimensions: 23.5 x 34.5 in. canvas size, 30 x 41 in. as framed. Condition: L shaped tear ap