Robert Hope (Scottish 1869-1936): 'Near East Linton'

Robert Hope (1869-1936) Oil on canvas landscape painting. Signed lower left. Small hole near signature. Measures 14.25" x 10.5" (sight) and 18.25" x 14.75" w/ frame.

ROBERT HOPE (AMERICAN, 1869-1936), OIL ON CANVAS ON MASONITE, H 29", W 20", PORTRAIT OF A LADY:Signed lower left; period gilt frame. From the family of the artist.

ROBERT HOPE (AMERICAN, 1869-1936), OIL ON CANVAS ON MASONITE, H 25", W 30", "THE HIGHLAND CATTLE":Signed lower right; ID label; original gilt frame. From the family of the artist.

ROBERT HOPE (AMERICAN, 1869-1936), OIL ON CANVAS, C. 1921, 22" X 18", "JOHN HOPE":Depicted as a boy; signed faintly lower right; period gilt frame. From the family of the artist.

ROBERT CARDINALMassachusetts/New York/Canada, b. 1936"East Chop". Signed lower right “Cardinal”.Oil on canvas, 14” x 18”. Framed 19” x 23.25”.

ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1936) MILK FOR BREAKFAST Signed, oil on canvas(38cm x 30.5cm (15in x 12in))

ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1936) THE AULD CREEL Signed, signed and inscribed on a label verso, oil on board(36cm x 25.5cm (14in x 10in))Exhibited: The Royal

ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1936) THE BALLOONS Signed, watercolour heightened with bodycolour(38cm x 51cm (15in x 20in))Exhibited: Royal Society of Painters

ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1936) ON THE BEACH, Signed, watercolour(51cm x 61cm (20in x 24in))

ROBERT GEMMELL HUTCHISON R.B.A., R.O.I., R.S.A., R.S.W. (SCOTTISH 1860-1936) THE KITTEN'S MILK Signed and inscribed, pastel(51cm x 69cm (20in x 27in))

(Scottish, 1855-1936) depicting a Mother and child in caps with goldfish bowl. Sight size: 29"h x 24"w

enameled copper over particle board; signed with initials lower right, signed, titled and numbered verso Overall: 44 x 12 1/4 x 1 in. (111.8 x 31.1 x 2.5 cm.) Provenance: Property from the personal co

Joseph Barrett (American, B. 1936) Near the Delaware Signed and located 'Lahaska' bottom left; also initialed, located again, and titled verso, oil on canvas (20 x 24 in. (50.8 x 61cm)) Provenance <

Wilson Henry Irvine (1869 - 1936) Oil on canvasboard, Signed lower right, Measures (16 x 20 inches) w/frame (22 x 26 inches) A prolific Impressionist with a penchant for atmospheric scenes, Illinois n

translucent very pale green with areas of rich iridescence, the cylindrical body with slightly convex sides and faint wheel-abraded horizontal bands, ending in a short cylindrical neck and collared ri

Large Tell Brak Marble Eye Idol, Near East, c. 3300-3000 B.C. Bell-shaped body with domed top surmounted by two protruding circular eyes. Some earth patination. Such idols are believed to have held sy

David Roberts (Scottish, 1796-1864) Christian and Mohammedan Chapels on the Summit of Mount Sinai [Gabal Musa], 1839 watercolor, gouache, and graphite on paper titled and dated Feby. 20th 1839 by a di

The Grand Canal, Venice, oil on canvas. signed lower left and dated 1851, housed in a later gold matched corner frame, OS: 24 3/4" x 28 3/4", SS: 19 1/2" x 23 1/2". Fine overall craquelure.

Near East / Holy Land, Palmyra, Roman period, ca. 2nd to 3rd century CE. Wow! A stunning, naturalistic limestone head of a priest wearing a characteristically tubular headdress, known as a modius, enc

Theodore Earl Butler (American, 1861-1936) East River, 1900 oil on canvas signed T.E. Butler and dated (lower right) 30 x 40 inches. This lot will be included in Patrick Bertrand's forthcoming catalog

Near East / Holy Land, Byzantine Empire, ca. 9th to 11th century CE. A tall, handsome mosaic depicting a young man holding an armful of food - possibly cuts of meat, possibly large fruit - in a white

Edwin Lord Weeks (1849-1903) Loading the Camels, Sal&#233;, Morocco, alternately titled Along the Nile and Loading in the Donkeys, Near East Signed 'E.L. Weeks' (lower right), identified on a label fr

Ancient Near East, Mesopotamia, 6th millennium BCE. A female fertility idol carved from alabaster. She stands on attenuated, stubby legs with her right arm held straight by her side and her left arm f

Ancient Near East, northwestern Iran, Amlash, ca. 1200 to 800 BCE. A creamy white marble idol each with a distinctive beak-like nose, a narrow torso that widens at the waist, arms stretched outward, a