Thomas Ruff: PHG.06_I, 2013, C-Print, signed

WR 30, c-print, signed in pencil on verso, image 8 x 5”, sheet 11 x 8 ½”, framed. Provenance: Richard Levy Gallery, Albuquerque, NM.

Martin Denker (* 1976), studied with Thomas Ruff, whose master student he was and AndreasGursky, ''GaGaGarten'', C-Print, 2006, backs. signed, titled, dated u. num .: 2006, 13/50, Martin Denker xxx ''

Lot 115 Thomas Ruff German (b. 1958) Nacht 9 I (1992) c-print face-mounted to Diasec signed, numbered, dated, and inscribed 'Tl Ruff 1/2 1992 9I' to verso overall (with frame): 74 1/2 x 75 x 1 5/8 inc

Rebecca Norris Webb New Mother, Brienna, 2013 c-print signed and numbered 1/7 in ink 25 x 38 inches. This lot is located in Chicago. Property from THE WAREHOUSE, Atlanta, Georgia Provenance: Robert Ko

Lot 16 Thomas Kellner German (b. 1966) London Eye (2001) C print signed verso 17 1/2 x 19 1/2 inches Provenance: from a private New York collection

Seong Moy (1921-2013) Dafna, ed. 35/100, c. 1965 Color relief print Signed lower right

Ruff, Thomas Offset print. Signed by the artist in lower white margin, as well as with printed designation. Nudes ez 14. 1999. Offsetdruck. Format 29,5 x 45 cm (40 x 50 cm). Im unteren weißen Rand vo

Ruff, Thomas Offset print. Signed by the artist in lower white margin, as well as with printed designation. Sterne 03h 36m/-35°. 1992. Offsetdruck. Format ca. 80 x 53 cm (100 x 70 cm). Im unteren wei

Ruff, Thomas Offset print. Signed by the artist in lower white margin, as well as with printed designation. Substrat 2 I. 2002. Offsetdruck. Format ca. 84 x 60 cm (100 x 70 cm). Im unteren weißen Ran

Digital c-print; "IMG_1919," 2013 (framed); Signed, dated, and numbered 74/100; 15 3/4" x 12"

Framed Print Pencil Signed Front and back by Marcus C. Thomas (Quadriplegic Painter) Overall Dimensions: 12" x 13.5" x 1" Deep Sight is 5" x 7" Weight is 1.4 lbs.

Photo Title: Muhammad Ali Photographer: Thomas Hoepker Medium: Digital C-Print on Fuji Crystal Archive Matte Paper Size: 6 x 6 inches Image Size: 5.5 inches (14 cm) on the longest side Markings: Signe

Thomas Kincaid (American, 20th C), print on canvas, "New York Fifth Avenue", signed in image, number 265/1200, 24" x 36" image, 32-1/4" x 44-1/4" overall, excellent condition

Moran, Thomas (American, 1837-1926) Etching. “Communipaw NJ c.1884.” Etching and drypoint print. Signed bottom center T. Moran. In good condition, light spot in margin bottom. Plate measures 3 7/8

New, never framed. Ships flat in original boxed packaging. Richard Prince Untitled, 2016 Richard Prince, Untitled (Jawbone), 2013-2015, painted bronze. C-gloss print unframed 18 x 12 inches, Edition:

114. Thomas, C. David. Group of 4 prints. Between 10-1/2 x 8-3/4 and 9 x 6 inches plus margins. Each is SIGNED BY THOMAS.Np, 1990s [75/100]

Thomas John Shillea (American, b.1947) "Portrait of Jo," c. 1981, Platinum print. untitled photograph of a woman, signed in margin. Together with 3 anonymous photographs. Size ranging from 5'' x 6.5''

Title: 19_19.JPG Artist: Wade Guyton Medium: Digital c-print photograph Dimension: 15 3/4" x 11 3/4" Additional Information: 2013 Numbered And Signed On Back, Edition Of 100. Reserve: $800.00 Shipping

Fritz Glarner, color lithograph, c. 1949, Fritz Glarner (Swiss, 1899-1972), Tondo, on Arches, signed and dated in the print, pencil signed, dated 1952, and numbered 4/50 lower right, inscribed, signed

Thomas Blinks (1860-1912), hunting dogs sporting print. C. Klackner, N.Y. C. 1897. Sepia-printed photogravure. Signed. Sight 23 1/2" x 19".

2 20th c. American prints 1). Adolf Dehn (1895-1968)- ''Minnesota Landscape'' (Lumsdaine & Sullivan 488)- lithograph, 1952 , signed in pencil, AAA edition of 250. 9 1/8 x 13 1/4'' 2). Thomas W. Nason

Lot 165 Thomas Stothard English (1755-1834) Portfolio of 22 prints etching pencil signed by engraver C. Heath on cover plate (each): 11 x 8 1/2 inches sheet (each): 17 1/2 x 12 inches Provenance: Fro

In matching presentation, including: "Thomas Appleton, c. 1839, now in the Chapel, St. Philip's Church, Charleston, S.C."; PLUS "Thomas Hall, c. 1822, St. John's Lutheran, Charleston, S.C., case now a

THOMAS HART BENTON (1889-1975) Fire In The Barnyard Print in black and white (c. 1950's-1960's) 7" x 10 3/4" image Signed in pencil lower side