Workshop of Guido Reni LAMENTATION OVER THE DEAD CHRIST oil on copper, cm 21x28 Bottega di

SCHOOL OR FOLLOWER OF ANTHONIS VAN DYCK 1599 Antwerp - 1641 London LAMENTATION OF CHRIST Oil on copper plate. 31 x 23 cm (F. 43,5 x 35,5 cm). Verso: Old inscription on the reverse: 'a. Michelin'. Part

Workshop of Francesco Solimena (Canale di Serino, 1657 - Barra, Naples, 1747) "The Descent of Christ" Oil on canvas. Relined. 128 x 75 cm. Prince Eugene of Savoy commissioned various paintings by Soli

TIBERIO TITI (Florence, 1578-1637) Portrait Albergotti Oil on canvas, 210 x 120 cm The work is attributed to Tiberio Titi, Santi di Tito’s son. He began the training in his father's workshop op

olio su rame, W. 34 - H. 51 Cm, La Bottega di San Luca, Torino, Collezione Privata, Torino, G. Manni, E. Negro e M. Pirondini, Arte emiliana - dalle raccolte storiche al nuovo collezionismo, Banca Pop

CIRCLE OF PIETER PAUL RUBENS (Siegen, 1577 - Antwerp, 1640) Alexander the Great crowns his bride Rossana Oil on copper, cm. 69,5x87,5. Framed Beautiful contemporary version of Rubens' painting today a

Old Master School, oil on panel, Pieta, Old Master School (Likely Italian, 17th/18th c.), Lamentation of Christ. Pieta, oil on cradled panel, partial Italian export label dated 1925 on verso, 20.25"h

"Madonnina orante" olio su rame di forma ovale (cm.21x28), splendida cornice coeva ad acquasantiera in ebano con ricca decorazione in bronzo dorato, Genova I metà sec.XVIII (cm. 37x51)

Colonial School. Mexico. 18th century. "Saint Thomas of Avila" Oil on copper. 23 x 17 cm. On the back is the handwritten inscription "Chauz", which indicates the town in which the work was carried out

Attributed to José de Ibarra (Guadalajara, 1685 - Mexico City,1756)"The Madonna of Passau" Oil on copper. 28 x 22,5 cm. The painter was born in New Galicia, currently in Guadalajara, at the time of

Oil on copper, 19th century or earlier, in substantive gilt and gesso frame; 11.5" x 8.5" (sight), 16" x 13.5" (framed). Provenance

olio su tavola, W. 45 - H. 55 Cm, Collezione Molinari Pradelli, Castenaso (BO), La Bottega di San Luca, Torino, 2003, Collezione privata, Torino, "Firenze e la Toscana dei Medici nell'Europa del '500"

DANIEL SEITER (Vienna, 1649 - Turin, 1705) Christ supported by two angels Oil on canvas, cm. 132,5x97,3. Framed Thanks to Dr. Fabrizio Carinci who confirmed the attribution to Daniel Seiter after the

17th Century Italian School, Christ Blessing an Unknown Female Saint or alternatively Christ and Woman Issue of Blood, oil on copper, 7.5 x 6.25 inches, in a gilded wood frame measuring 12 x 10.5 inch

Passion of Christ oil on tin 54.4 x 84 cm (21 3/8 x 33 1/8 in.) carved ornate wooden frame dimensions: 102 x 97 cm (40 1/8 x 38 1/4 in.) CONDITION All observed in frame and thirteen under glass. The p

trittico, olio su tavola, W. 139 - H. 99 Cm

trittico, olio su tavola, W. 120 - H. 83 Cm

olio su tela, W. 154 - H. 113 Cm, Expertise Dott. Dino Brandi, L'opera autografa realizzata dall'artista è attualmente conservata presso la Galleria degli Uffizi a Firenze

affresco staccato, W. 86 - H. 137 Cm, Expertise Dott. Dino Brandi

olio su tela, W. 125 - H. 157 Cm, L'opera autografa dell'artista è attualmente conservata presso il museo di Palazzo Bianco a Genova

quattro dipinti, olio su tela, W. 112 - H. 69 Cm

In marmo bianco. cm. 46. Expertise del Prof. Alessandro Del Priori. "Lo stile [...] fa pensare subito all'ambito di Tino di Camaino, come sempre palese guardando in particolare i volti di Maria e di G

FRANCESCO GRUE, CASTELLI, 1670 CIRCA decorato con scena di concertino in un interno, la falda a putti e volute con arma araldica vescovile; poche usure, una felatura Alt. cm 4, diam. cm 34,5 A CASTELL

Nicolás Enríquez (Mexico, 1704 - 1790) "True Portrait of Our Lady of Solitude of the Victoria of Madrid" Oil on copper. Signed. 32,5 x 26,5 cm. This is the True Portrait that depicts the sculptu

Lombard Master, 17th Century Christ carrying the cross Oil on panel 42x30.5 cm. Antique frame (defects) On the back indecipherable inscription concerning the provenance. The painting is based on a Leo