Lot 0125

Rembrandt van Rijn. Nude Man Seated on the Ground with One Leg Extended (1646). New Hollstein 234,

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** Rembrandt van Rijn (1606-1669) The Descent from the Cross: Second Plate: ** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

2022** Rembrandt van Rijn (1606-1669) The Descent from the Cross: Second PlateSee Sold Price

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Rembrandt van Rijn (1606-1669) The Raising of Lazarus: The Larger Plate: Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

2022Rembrandt van Rijn (1606-1669) The Raising of Lazarus: The Larger PlateSee Sold Price

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Rembrandt van Rijn (1606-1669) The Raising of Lazarus: Small Plate: Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

2022Rembrandt van Rijn (1606-1669) The Raising of Lazarus: Small PlateSee Sold Price

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Rembrandt van Rijn (1606-1669) Peter and John Healing the Cripple at the Gate of the Temple: Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

2022Rembrandt van Rijn (1606-1669) Peter and John Healing the Cripple at the Gate of the TempleSee Sold Price

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REMBRANDT VAN RIJN The Agony in the Garden.: REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

2022REMBRANDT VAN RIJN The Agony in the Garden.See Sold Price

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Rembrandt van Rijn (1606-1669) The Angel Appearing to the Shepherds: Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

2022Rembrandt van Rijn (1606-1669) The Angel Appearing to the ShepherdsSee Sold Price

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Rembrandt van Rijn (1606-1669) Self-Portrait in a Flat Cap and Embroidered Dress: Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o

2022Rembrandt van Rijn (1606-1669) Self-Portrait in a Flat Cap and Embroidered DressSee Sold Price

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Rembrandt van Rijn (1606-1669) Christ and the Woman of Samaria among Ruins: Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

2022Rembrandt van Rijn (1606-1669) Christ and the Woman of Samaria among RuinsSee Sold Price

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** Rembrandt van Rijn (1606-1669) Self-Portrait in a Cap and Scarf with the Face Dark: ** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermar

2022** Rembrandt van Rijn (1606-1669) Self-Portrait in a Cap and Scarf with the Face DarkSee Sold Price

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Rembrandt van Rijn (1606-1669) Christ Driving the Money Changers from the Temple: Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper without

2022Rembrandt van Rijn (1606-1669) Christ Driving the Money Changers from the TempleSee Sold Price

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Rembrandt van Rijn (1606-1669) The Presentation in the Temple: Oblong Plate (Simeon's Hymn of: Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but later impression of New Hollstein's fifth state (of fiv

2022Rembrandt van Rijn (1606-1669) The Presentation in the Temple: Oblong Plate (Simeon's Hymn ofSee Sold Price

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REMBRANDT VAN RIJN Woman Bathing her Feet at a Brook.: REMBRANDT VAN RIJN Woman Bathing her Feet at a Brook. Etching and drypoint, 1658. 162x81 mm; 6½x3¼ inches, small margins. Usticke's second state (of 2); New Hollstein's second state (of 2).

2022REMBRANDT VAN RIJN Woman Bathing her Feet at a Brook.See Sold Price

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Rembrandt Harmensz van Rijn (1606-1669); The Little Jewish Bride (Saskia as Saint Catherine);: Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

2022Rembrandt Harmensz van Rijn (1606-1669); The Little Jewish Bride (Saskia as Saint Catherine);See Sold Price

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Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate Etching, 1642, on la...: Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

2022Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate Etching, 1642, on la...See Sold Price

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2024Rembrandt Van Rijn Bald Headed Man in Profile Right; Small Bust Signed Etching on Paper c. 1630See Sold Price

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FINE MING BRONZE BUDDHA ON DEMOUNTABLE PEDESTAL: Finely cast bronze of Bodhisattva Buddha figure of Manjhusri. Seated in royal-ease position, with one leg extended forward upon a demountable pedestal. Having his weight on his left arm, that pushed d

2016FINE MING BRONZE BUDDHA ON DEMOUNTABLE PEDESTALSee Sold Price

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Rembrandt van Rijn. Nude Man Seated on the Ground with One Leg Extended (1646). New Hollstein 234,

Item Details

Description

Rembrandt van Rijn. Nude Man Seated on the Ground with One Leg Extended (1646). New Hollstein 234, III/III Fairly stiff, medium-weight cream laid paper. 1/16" to 1/8" margins all around. No visible watermark. Foxing visible on reverse, dirtying. Red fabric impressed top left corner. Overall with partially mounted backing sheet: 8 1/2" x 11 3/4". Provenance: The Winfield Robbins print collection of Arlington, Massachusetts.

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Rembrandt van Rijn. Nude Man Seated on the Ground with One Leg Extended (1646). New Hollstein 234,

Name: Rembrandt van Rijn. Nude Man Seated on the Ground with One Leg Extended (1646). New Hollstein 234,
SKU: 170670360
Price: 1500 USD
Availability: InStock