Lot 0126

Rembrandt van Rijn. St. Jerome Kneeling in Prayer, Looking Down (1635). New Hollstein 142, II/II

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Rembrandt St. Jerome in Prayer Etching, C. 1635.: Rembrandt, Van Rijn Original Etching, 1635, St. Jerome Kneeling in Prayer, Looking Down. (Dutch 1606-1669). Small margins, with the entire signature printing, albeit lighter at the end. A good impress

2016Rembrandt St. Jerome in Prayer Etching, C. 1635.See Sold Price

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Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamber: Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

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** Rembrandt van Rijn (1606-1669) The Descent from the Cross: Second Plate: ** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

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Rembrandt van Rijn (1606-1669) The Raising of Lazarus: The Larger Plate: Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

2022Rembrandt van Rijn (1606-1669) The Raising of Lazarus: The Larger PlateSee Sold Price

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Rembrandt van Rijn (1606-1669) The Raising of Lazarus: Small Plate: Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

2022Rembrandt van Rijn (1606-1669) The Raising of Lazarus: Small PlateSee Sold Price

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Rembrandt van Rijn (1606-1669) Peter and John Healing the Cripple at the Gate of the Temple: Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

2022Rembrandt van Rijn (1606-1669) Peter and John Healing the Cripple at the Gate of the TempleSee Sold Price

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REMBRANDT VAN RIJN The Agony in the Garden.: REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

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Rembrandt van Rijn (1606-1669) The Angel Appearing to the Shepherds: Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

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Rembrandt van Rijn (1606-1669) Self-Portrait in a Flat Cap and Embroidered Dress: Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o

2022Rembrandt van Rijn (1606-1669) Self-Portrait in a Flat Cap and Embroidered DressSee Sold Price

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Rembrandt van Rijn (1606-1669) Christ and the Woman of Samaria among Ruins: Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

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** Rembrandt van Rijn (1606-1669) Self-Portrait in a Cap and Scarf with the Face Dark: ** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermar

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Rembrandt van Rijn (1606-1669) Christ Driving the Money Changers from the Temple: Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper without

2022Rembrandt van Rijn (1606-1669) Christ Driving the Money Changers from the TempleSee Sold Price

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Rembrandt van Rijn (1606-1669) The Presentation in the Temple: Oblong Plate (Simeon's Hymn of: Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but later impression of New Hollstein's fifth state (of fiv

2022Rembrandt van Rijn (1606-1669) The Presentation in the Temple: Oblong Plate (Simeon's Hymn ofSee Sold Price

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REMBRANDT VAN RIJN Woman Bathing her Feet at a Brook.: REMBRANDT VAN RIJN Woman Bathing her Feet at a Brook. Etching and drypoint, 1658. 162x81 mm; 6½x3¼ inches, small margins. Usticke's second state (of 2); New Hollstein's second state (of 2).

2022REMBRANDT VAN RIJN Woman Bathing her Feet at a Brook.See Sold Price

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Rembrandt van Rijn (1606-1669) Joseph and Potiphar's Wife: Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1

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Rembrandt van Rijn (1606-1669) The Landscape with the Cow: Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cream laid paper without watermark, platemark 105 x 130 mm

2022Rembrandt van Rijn (1606-1669) The Landscape with the CowSee Sold Price

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Rembrandt van Rijn. St. Jerome Kneeling in Prayer, Looking Down (1635). New Hollstein 142, II/II

Item Details

Description

Rembrandt van Rijn. St. Jerome Kneeling in Prayer, Looking Down (1635). New Hollstein 142, II/II Medium-weight, cream laid paper. 1/16" margins all around. No visible watermark. Overall including partially mounted backing sheet: 11 3/4" x 8 1/2". Provenance: The Winfield Robbins print collection of Arlington, Massachusetts.

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Rembrandt van Rijn. St. Jerome Kneeling in Prayer, Looking Down (1635). New Hollstein 142, II/II

Name: Rembrandt van Rijn. St. Jerome Kneeling in Prayer, Looking Down (1635). New Hollstein 142, II/II
SKU: 170670361
Price: 2200 USD
Availability: InStock