Antoine Jean Weber (1797 - 1875), after Carle Vernet (1758 - 1836): Premier Consul (Napoleon I)

lithograph, matted, framed and glazed; printed by Charles Motte, Paris, circa 1825 - 1829 sight: 18 x 14 1/2 in. (45.7 x 36.8 cm.), Frame: 27 x 23 1/2 in. (68.6 x 59.7 cm.)

Framed aquatint on paper, "L'Arrivee," Philibert-Louis Debucourt (French, 1755-1832), after the original painting by Carle Vernet (Antoine Charles Horace Vernet French, 1758-1836), sight: approx 22"h,

(French, 1771-1835) Comprising, an ink and paper of a battle scene and a pastel of a young woman with a necklace. Together with a photograph of a print after Antoine-Jean Gros, Napoleon on the Bridge

Michel Thomas Antoine Cuyck, 1797 Ostend - 1875, founder of the Ecole industrial Ostend, fishing on the beach, shore view with anchoredfishing boats and people, in the right foreground rowboat, good v

Berthier, Alexandre. Relation de la bataille de Marengo, gagnee le 25 prairial an 8, par Napoleon Bonap

A set of twelve unusual hand painted 'Les Chasses de Compiegne' panoramic wallpaper panels Probably early 20th century after designs by Antoine Charles Horace Vernet aka. Carle Vernet (French, 1758-18

After Jean-Antoine Houdon, bust of Sabine Houdon. Bronze bust-length, 3/4 profile depiction of the artist's daughter Sabine (1787-1836). Signed on back below figures shoulder "Houdon". Mounted in a gi

After Jean-Baptiste-Camille Corot (French/Italian: 1796 - 1875) oil painting on canvas titled "Ville d'Avray". Mounted in a museum quality, finely carved gilt wooden frame. Signed lower right: “Alvi

Antoine-Jean Gros (after), Bonaparte, c. 1820, After Antoine-Jean, Baron Gros (French, 1771-1835) , based on "Bonaparte at the Bridge of Arcole", oil on canvas, signed "Ate Sage d'apres Gros" verso, u

Oil on Canvas. Portrait of a Soldier. Signed and dated "Horace Vernet" to lower right. From a Queens, NY estate. - Dimensions: 24" h x 20" w.

Jean Antoine style large patinated bronze sculpture of a crouching angel with a butterfly. 31" H x 20.5" W x 29" D.

Jean Antoine Watteau (after), charcoal drawing, After Jean Antoine Watteau (French, 1684-1721), Two Studies of a Seated Woman, red and black charcoal on brown paper, signed "A. Watteau" lower right, m

Four miniature oil on panel paintings by Baron Jean Antoine Theodore Gudin (French, 1802-1880), each nautical seaside landscape signed below and housed under glass in gilt metal frames. Each: 3" H x 4

A pair of Restauration giltwood fauteuils by Pierre-Antoine Bellangé (1758-1827) or Louis-Alexandre Bellangé (1799-1863) 1815-1820 Each with a scrolled dished top and an opposing volute scro

(French, 1758-1823). "Napoleon Bonaparte and the King of Rome," oil on canvas, inscribed (possibly signed), "P.P. Prud'hon" on verso, most likely in its original frame. Frame stamped "R. Charpentier"

EXQUISITE CARVING ATTRIBUTED TO JEAN-ANTOINE BELLETESTEFrance, Late 18th/19th CenturyFoliate and floral carvings surround an oval aperture depicting a highly detailed scene of figures, animals and tre

Jean-François Millet (French, 1814-1875) Jean-François Millet (French, 1814-1875) Girl sweeping signed with initials l.r., pencil 22 x 12.5cm Provenance: The Estate of Sir Jack and Lady Baer

Jean-Baptiste Carpeaux, (1827-1875) Jean-Baptiste Carpeaux, bronze sculpture Le Génie de la Danse, 1872. Bronze, dark brown patinated. Laughing boy figure in a happy dance, swinging a tambourin

After Jean-Antoine Houdon (French 1741-1828), large patinated bronze bust depicting Benjamin Franklin (American 1706-1790), on socle plinth base, marked in mold 'F. Barbedienne Fondeur Paris France' t

Jean Charles Joseph Rémond (French, 1795-1875) Jean Charles Joseph Rémond (French, 1795-1875) Valle d'Aosta signed 'Rémond' l.r., indistinctly inscribed 'No. 10. Vue prise a ****. Val d

Monumental late 19th century German flower encrusted armorial vase with lid and base stand. Signed with blue crossed lines with T marks for Carl Thieme. Vignettes after Jean-Antoine Watteau. Bears 200

A PAIR OF SÈVRES STYLE BRONZE DORÉ MOUNTED BLUE PORCELAIN COVERED POTPOURRI URNS, LATE 19TH CENTURY, PROBABLY FRENCH, WITH SCENES AFTER JEAN ANTOINE WATTEAU (1684-1721), the pineapple and acanthus l

After Jean-Antoine Houdon (French, 1741-1828) 20th century plaster cast titled "L'Ecorche" ("Le Grand Ecorche, Bras Leve") academic anatomical body study of a flayed man with arm raised. Examples from

European bronze sculpture "La Vigne" by Antoine Bofill (1875-1925), 15.2"H