JUAN DE JUANES FOLLOWER "Ecce Homo"

Valencian school, around 1600. School of JUAN DE JUANES (Valencia, around 1507 - Bocairente, Valencia, 1579)."The Coronation of the Virgin".Oil on canvas. Relined painting.Measurements: 144 x 105 cm;

LAST SUPPER.Copper embossed.With carved wooden frame. Relief inspired by Juan de Juanes' last dinner, Renaissance painter.65 cm.x94 cm.

Oil on canvas Work that copies the original by Juan de Juanes that is preserved in the Museo del Prado Measurements: 62 x 45 cm

Spanish religious bas-relief metal panel, mid 20th c., "Ultima Cena de Jesus" (The Last Supper), after the original painting by Juan de Juanes (Spain, 1507-1579), depicting Jesus and his disciples, ap

MIRO, Joan (1893-1983). Joan Miro. Drawings and Lithographs in the Collection of Juan de Juanes. Greeenwich, CT: New York Graphics Society, 1959. 13 5/16 x 9 6/16 inches. Numerous plates (Lacking orig

27.5x22 cm. Black and white, exhibited in galleries and museums worldwide. Felix Bonfils (1831–1885), Arc de l'Ecce Homo, Jérusalem. Fine condition.

[MIRO, Joan]. JUANES, Juan de. Drawings and Lithographs of Joan Miro. Greenwich, CT: New York Graphic Society, [1960]. Small folio (352 x 250 mm). 69 color plates (of 72). (Lacking original lithograph

FOLLOWER OF JUSEPE DE RIBERA OF THE PROBABLY 19TH CENTURY (Also: Jose or Juan Jusepe de Ribera) 12 January 1591 Játiva (province of Valencia) - 2 September 1652 Naples THE PENITENT MARIA MAGDALENA

Italian school; around 1630-1640."Ecce Homo".Oil on wood. CradledAdapted artwork with a 17th century ebony frame.Measures: 55 x 44 cm; 80 x 67 cm (frame).This work follows the models established by th

Oil on panel, cradled Zamora/Spain, c. 1545-1550 Attributed to Juan de Borgoña II, probably identical with 'Maestro del Toro' and 'Pozuelo Master'  (c. 1500 - c. 1565) – Castilian High Renaissance

olio su tela, W. 103 - H. 95 Cm, Expertise Dott. Rodolfo Palucchini, 1970, Expertise Dott. Filippo Pedrocco, 2004, G. Mariani Canova, Nuove note a Paris Bordon, in "Arte Veneta", XXII, 1968, pp. 174 e

Heading: Author: Grosz, George Title: Ecce Homo Place Published: [Berlin] Publisher:[Malik Verlag] Date Published: 1923 Description: 1 preliminary leaf (table of contents)

Flemish school; early 16th century. "Ecce homo". Oil on panel. Engatillada. It has faults, losses and repainting. It has an ebony frame from the 16th century. Measurements: 24.5 x 18 cm; 30.5 x 24 cm

olio su tela, W. 98 - H. 131 Cm

Juan de Arellano (Spanish, 1614-1676) attributed Old Master fine oil painting on canvas depicting a still life scene with a bouquet of flowers including morning glories, an iris, a peony, and carnatio

Flemish School; circa 1500. "Ecce homo. Oil on oak panel. It has a 19th century carved and gilded wooden frame. Measurements: 27 x 20 cm; 32 x 25 cm (frame). Christ accepts with a serene face his dest

(MEXICAN IMPRINT--1577.) [Juan de la Anunciación.] [Sermonario en lengua mexicana.] [8], 267 leaves (erratically paginated). 3 parts in one volume. 4to, contemporary vellum, worn; lacking endpape

"Ecce Homo". Carved and polychromed wooden relief. Colonial School. Quito. Peru. 18th century. 67 x 52 x 16 cm.

olio su tela " Ecce Homo " scuola toscana sec XVII cm. 52x40

George Grosz Berlin 1891 - 1959 Ecce Homo 84 lithographs and 16 colored plates after watercolours, Malik-Verlag Berlin 1923; H 36.5 cm, W 26.5 cm; in the illustrated original box (slightly bumped and

Juan de Dios (Zuni, 1882-1940s) Silver and Turquoise Cuff Bracelet with raised edges and set with a row of ten turquouise cabochons; marked JD cuff width 1-1/8 inches, interior circumference 6 inches

"Tabula scalata" a olio su carta applicata su tavola, cm. 58,5x46. Sul verso: timbro in ceralacca con stemma cardinalizio. Per un esemplare simile si veda l'opera attribuita a Matteo Rosselli raffigur

SALVADOR DALI, CRISTO DE SAN JUAN DE LA CRUZ 28 cm CERTIFIED.Sculpture with certificate card.Bronze, Ed. 9 / 10.Signed.Measurements: 28 x 21 cm.Chain 44 cm.Frame: 75 x 60 cm.Illustrated on page 49 of

Reliquary bust; After models by JUAN DE JUNI (Joigny, France, 1506 - Valladolid, 1577); 17th century and later. Carved and polychrome wood. It shows damage caused by the passage of time. It has Agatha