Signed Lionello Balestrieri Aquatint Shepherd

Pencil signed and numbered 25. Some staining near signature. 19" x 23 1/2". Unframed.

Group of Assorted Art Work including a Kitagawa Utamaro print, etching of sailboat signed illegibly, Lionello Balestrieri (1872 - 1958) Italian framed print, and an antique print by P. Valck of young

Gerson Leiber- ''Queens Plaza''; ''Shepherd and Flock (Second State)''- 2 etching and aquatint, 1961, 1962, both signed and titled in pencil, 'Queens Plaza' alos dated in pencil, 'Queens Plaza' with 2

Keiko Minami 1909-2004 (Japanese) La petite Bergere (The little Shepherd), 1957. (edition of 50) etching and aquatint in colors 29 x 29 cm (11 x 11 in.) signed lower right and inscibed 'E.A' lower lef

Martin Lewis (1881-1962) Which Way? 1932 The fine aquatint etching from an edition of 53 prints or fewer is signed by the artist in pencil below the image lower right. An exceptional example of Americ

Gene Kloss (1903-1996) Late Sunlights on The Cliffs Circa 1941 The aquatint signed by the artist in pencil below the image lower right, titled lower left. Image measures 14 x 10.75 with a framed size

Joan Miro (SPANISH / FRENCH, 1893 - 1983) abstract aquatint. Pencil signed to lower right and numbered 20/30 to lower left. Mounted in a gold painted wooden frame with mat behind acrylic screen. Work

Joan Miro (SPANISH / FRENCH, 1893 - 1983) abstract aquatint. Pencil signed to lower right and numbered 10/30 to lower left. Mounted in a gold painted wooden frame with mat behind acrylic screen. Work

Joan Miro (SPANISH / FRENCH, 1893 - 1983) abstract aquatint. Pencil signed to lower right and numbered 6/30 to lower left. Mounted in a gold painted wooden frame with mat behind acrylic screen. Work o

Joan Miro (SPANISH / FRENCH, 1893 - 1983) abstract aquatint. Pencil signed to lower right and numbered 6/30 to lower left. Mounted in a gold painted wooden frame with mat behind acrylic screen. Work o

Joan Miro (Spanish, 1893-1983) "A Monsieur Constant Baruque", aquatint printed in colours, signed in pencil lower right. Edition 10/75. Provenance: Purchased by Consignor in 1970 from Galerie RG Miche

Charles Capps (1898-1981) Moonlit Mills 1933 The aquatint etching from an edition of only 85 prints is signed by the artist in pencil below the image lower right and dated 1933, titled lower left, ded

Rufino Tamayo (1899-1991) Cabeza en Violeta 1976 The image titled Cabeza en Violeta, or Head in Violet signed by the artist lower right and numbered 53 of 75 lower left is printed on hand made Guarro

Gene Kloss (1903-1996) Desert Drama The aquatint etching, numbered 30 from an edition of 35 prints, is signed by the artist in pencil below the image lower right and titled lower left. This example is

TSUGUHARU FOUJITA (1886 - 1968)"NU ETENDU"Year: 1930Colour aquatint on japan paperDimensions : 54x68 cmSigned and numbered in pencil XX/100Published by editions Artistique ApolloLiterature : Buisson 3

PABLO PICASSO (1881 - 1973)"NU ACCOUDE"Year: 1965Aquatint on wove paperDimensions: 58.3x46.3 cmSigned and numbered XX/50 in pencilPublished by Louis Broder / Printed by CrommelynckLiterature: Bloch 11

Lyman Byxbe (1886-1980) R.F.D. 1934 The fine and scarce aquatint etching displays a velvety burr and effectively depicts a complex depiction of blowing snow on a winter day in low light, while a famil

ZAO WOU-KI (1921 - 2013)"from: UNTITLED"Year: 1981Colour aquatint on wove paper by BFK RivesDimensions: 76.5x57 cmSigned in chinese, dated and numbered XX/99 in pencilPublished by Berggruen & Cie., Pa

Joan Miro (1893-1983) Nous Avons 1959 The etching with aquatint is signed by Joan Miro in pencil lower right and numbered 4 from an edition of only 50 on the lower left. Image measures 4 x 5.75, sheet

Artist: Sonia Dalunay (1885-1979) Aquatint edition 115/125pencil signed lower right. Created 1974. Dimensions: 16" X 20"

Caio Fonseca (American, 1959) Notations #I 1998 The soft ground etching with aquatint is signed and dated by the artist in pencil lower right, numbered 22 from only 35 prints lower left. Image measure

Caio Fonseca (American, 1959) Notations #IV 1998 The soft ground etching with aquatint is signed and dated by the artist in pencil lower right, numbered 22 from only 35 prints lower left. Image measur

J. Jesse McVicker (1911-2004) Abandoned 18/25 1940 The rare industrial scene aquatint etching numbered 18 from an edition of only 25 prints signed by the artist in pencil below the image lower right,

Lyman Byxbe (1886-1980) Spring 1935 One of two very similar compositions by Lyman Byxbe, this is believed to be the print as titled above, an aquatint etching signed by the artist in pencil below the